Foundation of the Abbey 1133 (≈ 1133)
Promise of Aymon de Faucogney after his release.
1159
Foundation of Clairlieu
Foundation of Clairlieu 1159 (≈ 1159)
Displacement of the abbey-daughter after local conflicts.
1525
Pillow of the Abbey
Pillow of the Abbey 1525 (≈ 1525)
During a peasant revolt in Franche-Comté.
1769-1781
Reconstruction of the church
Reconstruction of the church 1769-1781 (≈ 1775)
On Jean Gruyer's plans.
XIXe siècle
Installation of a spinning machine
Installation of a spinning machine XIXe siècle (≈ 1865)
Industrial reuse of abbey buildings.
1995
Historical Monument
Historical Monument 1995 (≈ 1995)
Protection of claustral remains and dependencies.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Soils from road to river; remains of the old claustral district, facades and roofs, and in total for the east wing; Pigeon and fountain (cf. C 405, 50-52): entry by order of 13 December 1995
Key figures
Aymon de Faucogney - Lord and Founder
Created the abbey after its liberation in the Holy Land.
Jean Gruyer - 18th century architect
Designed the last church of the abbey.
Famille Berthet - Current owners
Organizes a contemporary art fair since 1996.
Origin and history
The Bithaine Abbey, founded in 1133 by Aymon de Faucogney after his return from crusade, is a former Cistercian abbey located in Franche-Comté. His name evokes Bethany, the place of his promise to the Virgin after her liberation. According to L. Suchaux, the foundation could also date from 1233, although the sources diverge. The abbey, the daughter of Morimond, prospered rapidly and even founded an abbey-daughter in Clairlieu in 1159 after local tensions.
In the Middle Ages, the abbey was looted, especially in 1525 during a peasant revolt. It passes under the regime of commende, leading to a progressive decline. After the Revolution, its buildings housed a cotton mill until the end of the 19th century. In 1995, part of the site was classified as a Historical Monument, preserving the claustral remains, the pigeon-house and the fountain.
Since 1969, the abbey has belonged to the Berthet family, which has organized an annual contemporary art fair since 1996. The church, destroyed after the Revolution, was replaced by industrial buildings. Today, the site combines medieval heritage and cultural reuse, testifying to its adaptation throughout the centuries.
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