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Prat Cross à Prat-Bonrepaux dans l'Ariège

Patrimoine classé
Patrimoine religieux
Croix
Ariège

Prat Cross

    Place principale
    09160 Prat-Bonrepaux
Croix de Prat
Croix de Prat
Crédit photo : PierreG 09 - Sous licence Creative Commons

Timeline

Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
XVIIIe siècle
Construction of the cross
27 avril 1965
Registration for historical monuments
Aujourd'hui
Aujourd'hui

Heritage classified

Cross, in the main square (Box D): inscription by order of 27 April 1965

Key figures

Information non disponible - No character mentioned The source text does not mention any historical actors.

Origin and history

The Cross of Prat is a monumental cross located in the village of Prat-Bonrepaux, in Ariège, in the Occitanie region. Dating from the 18th century, it is distinguished by its style inspired by the ornaments of the Louis XVI period. It is made of wrought iron, surmounted by a traditional cock, and supports the instruments of the Passion of Christ. A notable feature is the presence of a hand represented next to the eglise, as well as an effigy of Christ without a cross supporting him. It rests on a doric column with pedestal and base, near the bridge on the Gouarège, towards the castle.

The Cross of Prat was inscribed as historical monuments by order of 27 April 1965. It is located in the main square of the village, today called Place Charles de Gaulle. Its refined design and symbolic details make it a remarkable example of the monumental crosses of this period. The instruments of the Passion, such as sponge, spear or nails, are represented, reinforcing its religious and commemorative character.

This type of monumental cross played an important role in the 18th century villages, serving as both a visual landmark and a symbol of faith for the inhabitants. In Ariège, as in other rural areas, these monuments were often erected at crossroads or near important buildings, such as churches or castles. They reflected the importance of religion in daily life and marked the public space of a sacred presence, while at the same time testifying to the know-how of local ironworkers.

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