Establishment of the Corporations Committee 1900 (≈ 1900)
Origin of the architectural project.
1907-1909
Construction of building
Construction of building 1907-1909 (≈ 1908)
Directed by Oberthür and Priedat.
22 septembre 1909
Official Inauguration
Official Inauguration 22 septembre 1909 (≈ 1909)
Opening to the initial public.
1923
Headquarters of the Chamber of Trades
Headquarters of the Chamber of Trades 1923 (≈ 1923)
New post-annexation assignment.
5 novembre 2002
Historical monument classification
Historical monument classification 5 novembre 2002 (≈ 2002)
Total heritage protection.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The Hotel des Arts et Métiers in total (cad. 31 55a, 55b): registration by order of 5 November 2002
Key figures
Gustave Oberthür - Chief Architect
Manufacturer of the neo-renaissance building.
Ernst Priedat - Deputy Architect
Oberthür's collaborator on the project.
Guillaume II - German Emperor
Indirect sponsor via urban policy.
Origin and history
The former Metz Chamber of Trades, also known as the Corporation House or Gewerbehaus, was built between 1907 and 1909 in Raymond-Mondon Square, in the imperial district. This project was part of William II's policy of architectural Germanization to assert the German hold over the annexed Lorraine. The building, designed by architects Gustave Oberthür and Ernst Priedat, adopts a rhenish neo-renaissance style in pink sandstone, typical of the Wilhelmian era.
The building was to embody corporatist power alongside other institutions symbolizing financial, military and religious powers around the imperial square. Its interior layout, functional and rational, includes a window representing the corporations in the stairwell. Inaugurated on 22 September 1909, it initially housed the central committee of the combined corporations, as well as the court of commerce and the collectives.
After 1918, the building became the seat of the Moselle Chamber of Crafts and Crafts in 1923. Ranked a historic monument in 2002, he had various assignments (bank, restaurant) before being destined for cultural and professional activities. Its architecture and history reflect the urban changes of Metz under German annexation, between stylistic eclecticism and political will.
The construction in pink sandstone and the German neo-renaissance style aimed to visually anchor imperial authority in the Messin landscape. The interior window, a landmark, illustrates the symbolic importance attached to corporations. Today, the Hotel des Arts et Métiers remains a major testimony of this period, between Germanic heritage and French reappropriation.
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Future
After serving as a bank and restaurant, the hotel will soon host artistic and cultural performances as well as professional gatherings.
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