Crédit photo : Marc Ryckaert (MJJR) - Sous licence Creative Commons
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Timeline
XIXe siècle
Époque contemporaine
1900
2000
1898
Land allocation
Land allocation 1898 (≈ 1898)
Assignment of the "garden of Love" to the reformed community.
25 novembre 1901
Laying the first stone
Laying the first stone 25 novembre 1901 (≈ 1901)
By the Stathalter Hermann zu Hohenlohe-Langenburg.
14 mai 1904
Official Inauguration
Official Inauguration 14 mai 1904 (≈ 1904)
In the presence of William II and the Empress.
6 janvier 1930
Historical Monument
Historical Monument 6 janvier 1930 (≈ 1930)
Protection of facades and roofs.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facades and roofs: classification by decree of 6 January 1930
Key figures
Guillaume II - German Emperor
Inaugurated the temple in 1904.
Conrad Wahn - Chief Architect of Metz
Designed the temple in neo-Roman style.
Hermann zu Hohenlohe-Langenburg - Statthalter (Governor) of Lorraine
Placed the first stone in 1901.
Origin and history
Temple Nine, or New Protestant Temple, was built between 1901 and 1905 in Metz, during the period of German annexation (1870-1918). This project is part of William II's Germanization policy, aimed at modernizing the city with iconic buildings such as the station or the central post office. Its Roman Romanesque neo-Roman style, inspired by the cathedrals of Spire and Mainz, had a controversy of classical French architecture.
The land, a former "garden of Love" on the island of Petit Saulcy, was ceded in 1898 to the reformed community. The architect Conrad Wahn, head of the city, designed a 53-metre-long Greek cross building with a 55-metre central tower. The first stone was laid in 1901 by the Statthalter Hermann zu Hohenlohe-Langenburg, and the inauguration took place in 1904 in the presence of Emperor William II.
The temple, classified as a Historic Monument in 1930, houses a Dalstein-Haerpfer organ of 1903, modified in 1970. Its stained glass from the 1990s comes from the Saint Nicholas Hospice. Despite initial criticism, it became a symbol of Metz, mixing Protestant heritage and Franco-German history.
Today, there remains an active place of worship for the reformed community and an architectural landmark of the Place de la Comédie, contrasting with the Jaumont stone of neighbouring buildings. Its eclectic style, blending Otto's and Rhine's influences, makes it a unique testimony to the Wilhelmini urban planning in Lorraine.
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