Construction of the first oratory 1702 (≈ 1702)
Oratory dedicated to Notre-Dame-de-Pitié, then destroyed.
1722-1742
Construction of the large chapel
Construction of the large chapel 1722-1742 (≈ 1732)
Baroque style and rococo, worship of the Virgin.
1733
Wall paintings by Luca Valentino
Wall paintings by Luca Valentino 1733 (≈ 1733)
Interior decoration of the chapel.
1738-1742
Making the major retable
Making the major retable 1738-1742 (≈ 1740)
Work by Joseph-Marie Martel in polychrome wood.
25 juillet 1958
Classification of the statue
Classification of the statue 25 juillet 1958 (≈ 1958)
Virgin of Pitié listed as a historical monument.
27 juin 1983
Registration of the sanctuary
Registration of the sanctuary 27 juin 1983 (≈ 1983)
Protection of facades, roofs and chapels.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Facades and roofs of the presbytery (cd. I 17): inscription by decree of 27 June 1983; The large votive chapel, the small chapel, the oratory: inscription by decree of 27 June 1983
Key figures
Luca Valentino - Painter
Author of the wall paintings (1733).
Joseph-Marie Martel - Sculptor
Creator of the major retable (1738-1742).
Origin and history
The Sanctuary of Notre-Dame des Vernettes is a religious building located at an altitude of 1,816 m above sea level in the municipality of Peisey-Nancroix, Savoie (Auvergne-Rhône-Alpes). Built in the early eighteenth century, it replaces a first oratory dedicated to Notre-Dame-de-Pitié, patron saint of lepers, erected in 1702 and then destroyed. The current baroque and rococo-style sanctuary was built between 1722 and 1742 around a well-known "miraculous" source, following the healing of a Peisey resident. It includes a large chapel, a small chapel below accessible by a cross road, and houses a polychrome wooden statue of the Virgin of Pitié, classified as a historical monument in 1958.
The site has been a place of major devotion since the seventeenth century, hosting every July 16 a pilgrimage where the statue of the Virgin is carried in procession. The wall paintings, made by Luca Valentino in 1733, and Joseph-Marie Martel's major polychrome wooden altarpiece (1738-1742), illustrate Savoyard Baroque art. The sanctuary, listed as a historical monument in 1983, overlooks the Ponthurin valley and offers views of the Aiguille Grive and the Bellecôte massif. Its architecture and history reflect the importance of Marian cults in the mountains.
The statue of Notre-Dame-des-Vernettes, an object of veneration, embodies local piety and Alpine pilgrimage traditions. The lateral altars, dedicated to Saint John the Baptist and Saint Nicholas (1750), complete the religious ensemble. The sanctuary, owned by the commune, remains a symbol of the spiritual and artistic heritage of the Tarentaise, linked to the diocese of Chambéry. Its listing in the inventory of Christian shrines in France highlights its heritage and cultural value.
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