Construction of well printemps 1579 (≈ 1579)
Municipal archives mentioning artisans and period.
4e quart XVIe siècle
Construction period
Construction period 4e quart XVIe siècle (≈ 1687)
Renaissance architectural style confirmed.
3 juillet 1900
Historical monument classification
Historical monument classification 3 juillet 1900 (≈ 1900)
Official protection by ministerial decree.
1970
Accidental destruction
Accidental destruction 1970 (≈ 1970)
Total destruction requiring restoration.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Six buckets well: by order of 3 July 1900
Key figures
Henri Ottmann - Architect
Manufacturer of the well in 1579.
Conrad Miller - Sculptor
Artisan who worked on the decor.
Xavier Ohresser - History
Author of a study in 1952.
Origin and history
Obernai's six bucket well is an iconic historic monument located in the Alsatian city of the same name, in the department of Bas-Rhin. Built in the 4th quarter of the 16th century, more precisely in the spring of 1579 according to the communal archives, it is distinguished by its Renaissance architecture: a circular margin surmounted by an octagonal baldaquin worn by three columns. This type of structure, rare for the time, reflects the technical ingenuity and aesthetic concern of local artisans. Ranked among the historical monuments since 1900, it illustrates the hydraulic and artistic heritage of the region.
The building was designed by a team of artisans whose names are kept in the registers: Henri Ottmann (architect), Conrad Miller (sculptor), as well as a locksmith, a painter and a cauldron, all mentioned in the communal accounts of 1579. Originally, the well was painted under its vault, still visible in the early twentieth century. Unfortunately, an accident in 1970 led to its total destruction, requiring an identical restoration. The marks of the masonry, traces of the craftsmen, remain as evidence of its construction.
Located on Rue du Chanoine-Gyss (or near the Rue du Général Gouraud according to geographical sources), this well had an essential practical function: supplying water to the population of Obernai, a prosperous city of the Holy Roman Empire and then of modern France. In addition to its usefulness in protecting the mechanism, its baldaquin also symbolized municipal prestige. Today, there remains a remarkable example of the alliance between public utility and Renaissance art in Alsace, while bearing the stigmas of its turbulent history, between destruction and reconstruction.
The protection of the well in 1900 underlined its early heritage importance, in a context where the preservation of medieval and reborn monuments became a national priority. The archives also mention his belonging to the commune of Obernai, confirming his central role in local life. Although ancient visual sources (such as paintings under the vault) have disappeared, written descriptions and restorations make it possible to understand its original aspect. Its ranking among the historical monuments of Lower Rhine makes it a key witness to Alsatian architectural history.
References, such as Xavier Ohsser's 1952 article in the Cahiers d'archéologie et d'histoire d'Alsace, attest to the lasting interest of historians in this monument. Its inclusion in the official lists of historical monuments of Obernai and Lower Rhine reinforces its reputation. Today, the six bucket well continues to fascinate with its unique design and history, between a reborn heritage, modern vicissitudes and heritage preservation.
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