Construction of the cross XVe siècle (≈ 1550)
Period of construction of the monument.
18 novembre 1926
Historical Monument
Historical Monument 18 novembre 1926 (≈ 1926)
Registration by official order.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
XVth century cross located on the village square: inscription by decree of 18 November 1926
Key figures
Information non disponible - No character cited
The source text does not mention any names.
Origin and history
The 15th century cross of Cassagnabère-Tournas is a historical monument located on the village square in the department of Haute-Garonne (Occitanie region). This monument is distinguished by its curved circular shape, evoking a rosette with eight lobes in third points, and ends with florets. It has been classified as a Historical Monument since a decree of 18 November 1926, attesting to its heritage and artistic importance.
On one of its faces, the cross represents Christ on the cross, surrounded by the Virgin and Saint John, a classic iconography of the Crucifixion. On the other side, she presents a Pietà, accompanied by Saint John and Sainte-Madeleine, thus illustrating major scenes of the Christian tradition. These sculptures bear witness to the artistic know-how of the period and the religious devotion that animated local communities in the 15th century.
The location of the cross on the village square suggests that it played a central role in community life, probably serving as a spiritual landmark and gathering place. The accuracy of its geographical location is estimated as fair (note of 5/10), and its official address is indicated as Place du village, 31420 Cassagnabère-Tournas. Owned by the municipality, it remains accessible to the public, although practical information on visits is not detailed in available sources.
The Occitanie region, and more particularly the Haute-Garonne, was marked by a rural life organized around the parishes and local lords. The monumental crosses, such as that of Cassagnabère-Tournas, often served as landmarks for pilgrims, as protection symbols for villages, or as supports for open-air preaching. Their presence reflected the importance of the Christian faith in structuring medieval societies, as well as the role of local sponsors, often lords or religious communities, in promoting sacred art.