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Origin and history

The cross of Sainte-Geneviève-sur-Argence, also called the 16th century cross, is a religious monument located in Argences en Aubrac, in the department of Aveyron (Occitan region). Dating from the 15th and 16th centuries, it is distinguished by its column-shaped barrel and pedestal, typical of the cross with characters of this period. Three angels, carved on the square part of the barrel, adorn this stone cross, which marks the entrance to the village of Olhaguet, near the bridge.

The cross was listed as historic monuments by order of 4 November 1927, thereby recognizing its heritage value. Its style combines Gothic elements (15th century) and Renaissance (16th century), reflecting a major artistic transition. The cask, of square section, supports a cross whose sculptural details suggest a function both religious and symbolic, probably linked to the protection of the village or to a community gathering place.

Owned by the municipality of Sainte-Geneviève-sur-Argence (now integrated with Argences en Aubrac), this cross is a material testimony of local history. Its location near a crossing point (the bridge) highlights its role in structuring the village area in modern times. Available sources, such as the Merimée or Monumentum base, confirm its importance in the Aveyron heritage, although the local archives do not specify its sponsor or its exact use.

The Aubrac region, to which Argences belongs, was at that time a rural area marked by livestock farming and limited exchanges between towns. Crosses of this type often served as spiritual landmarks or boundary markers for parish territories. Their presence near village entrances could also symbolize protection against epidemics or dangers, in a context where religion was rhythmic in daily life.

Today, the cross remains a visible part of Olhaguet's landscape, although its exact location (GPS coordinates) is considered to be of poor accuracy (level 6/10). The photographs available, such as Krzysztof Golik's Creative Commons license, make it possible to appreciate its architectural details, despite the absence of detailed technical descriptions in the sources consulted.

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