Construction of church XIIe siècle (≈ 1250)
Initial construction period of the building.
11 mai 1932
Registration of the bell tower
Registration of the bell tower 11 mai 1932 (≈ 1932)
Protection for historical monuments.
13 mars 1950
Registration of apse
Registration of apse 13 mars 1950 (≈ 1950)
Extension of heritage protection.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The bell tower: inscription by order of 11 May 1932; L'abside : inscription by order of 13 March 1950
Key figures
Information non disponible - No character mentioned
Sources do not cite any historical actors.
Origin and history
The Church of Our Lady of the Assumption of Suin is a Romanesque religious building built in the 12th century. Located in the department of Saône-et-Loire, Burgundy-Franche-Comté, it is distinguished by its architecture typical of Romanesque art, including its semi-circular bedside and bell tower adorned with géminées berries. These elements reflect the importance of churches as spiritual and community centres in the Middle Ages in this rural area.
The church bell tower was inscribed as historical monuments on May 11, 1932, followed by the apse on March 13, 1950. These protections highlight the heritage value of the building, in particular its semicircular apse, rhythmic by pilasters and covered with lauze, as well as its Romanesque bell tower with curved bays. These architectural features illustrate the know-how of the builders of the time and the evolution of construction techniques.
The church, owned by the municipality of Suin, embodies the central role of religious buildings in local life in the 12th century. At that time, churches served not only as places of worship, but also as social and cultural landmarks for rural communities. Their architecture often reflected the prosperity and beliefs of the inhabitants, while marking the landscape in a sustainable way.
Architectural details, such as fluted pilasters or columns separating the bell tower bays, testify to an aesthetic and functional research unique to Romanesque art. These elements, combined with the use of local materials such as lauze, show an adaptation to the available resources and liturgical needs of the time. The church remains today a precious testimony of this medieval heritage in Burgundy-Franche-Comté.
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