Initial construction 1457 (≈ 1457)
Building of central ship and bell tower.
1510
Funeral slab
Funeral slab 1510 (≈ 1510)
Date on the epitaph of Louis Le Jose.
début XVIe siècle
Enlargement
Enlargement début XVIe siècle (≈ 1604)
Added transept and choir.
1862
Major restoration
Major restoration 1862 (≈ 1862)
Reshape façade and bell tower arrow.
1920-1921
Post-war restoration
Post-war restoration 1920-1921 (≈ 1921)
Reparation for war damage.
4 mars 1926
MH classification
MH classification 4 mars 1926 (≈ 1926)
Registration as a historical monument.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church: registration by decree of 4 March 1926
Key figures
Louis Le Josne - Lord of Contay
Burial destroyed, slab dated 1510.
Antoine (architecte) - Amienese architect
Responsible for the restorations of 1862.
Couvreur - Glass painter
Glass and decorations (1868, disappeared).
Origin and history
The church Saint-Hilaire de Contay, located in the Somme department in the Hauts-de-France region, was built in the middle of the 15th century. An inscription engraved on the southern wall of the nave attests to its construction in 1457. The central ship and bell tower date from this period, while the transept and choir were added at the beginning of the sixteenth century. The building underwent major restorations in the 19th century, notably in 1862, where the façade and the bell tower were redesigned, with the addition of flamboyant fillings and a slate arrow.
The more sober northern collateral was probably added in the second half of the 16th century. Inside, a fragment of funerary slab dating from 1510 recalls the burial of Louis Le Josne, lord of Contay and chamberlain of the Duke of Burgundy, whose monument was destroyed during the Revolution. The church, dedicated to Saint Hilaire, combines flamboyant Gothic and Renaissance elements, as evidenced by the apse in axial bay.
Ranked a historic monument in 1926, the church was also restored in 1920-1921 to repair war damage. Its architecture reflects stylistic evolutions between the Middle Ages and the modern era, with additions such as the seigneurial chapel and 19th century stained glass windows. Today, it remains a testimony of Picardy religious heritage, marked by its seigneurial history and successive transformations.
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