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Church of Saint Martin de Tours à Chambonchard dans la Creuse

Creuse

Church of Saint Martin de Tours


    23110 Chambonchard
Crédit photo : Aubussonais - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1900
2000
XIIe siècle
Initial construction
Fin XIIIe – début XIVe siècle
Achievements of wall paintings
1er février 1989
Partial registration
1er mars 1990
Classification of paintings
Aujourd'hui
Aujourd'hui

Heritage classified

Church, except for a classified part (Box B 125): registration by order of 1 February 1989; Mural paintings (Box B 125): classification by order of 1 March 1990

Key figures

Information non disponible - No character cited The source text does not mention any named historical actor.

Origin and history

The Saint-Martin church of Chambonchard, dedicated to Saint Martin de Tours, is a religious building dating back to the twelfth century. Built of granite stone, it features a flat bedside nave and a western facade topped by a bell tower-wall with two campanary arcades. This monument, initially under the patronage of the Abbey of Chambon-sur-Voueize, illustrates the Romanesque architecture of the region, while integrating elements from the thirteenth and fourteenth centuries.

Surveys conducted in 1987 revealed exceptional murals in the choir, dating from the late 13th and early 14th centuries. Executed on dry mortar, they represent a Christ in Majesty surrounded by a mandorle, as well as scenes of the month's work on the triumphal arch. These frescoes, with red and yellow ochre tones on a white background, bear witness to local medieval art and motivated their classification as historical monuments in 1990.

The church itself (excluding classified parts) was registered in 1989. Owned by Chambonchard, it is part of the Creuse department in Nouvelle-Aquitaine. Its painted decoration, including the flower seedlings and the cruciferous nimbe of Christ, offers a rare example of religious iconography of this period in the region. The techniques used and the themes represented reflect the artistic and devotional practices of the Central Middle Ages.

The monument, though modest in size, plays a key role in understanding the limousine religious heritage. Its state of conservation and partial restorations allow to study architectural and pictorial evolutions between the twelfth and fourteenth centuries. The location of Chambonchard, close to the ancient Roman route between Lyon and Saintes, also suggests a possible historical visit to the site by pilgrims or merchants.

External links