Construction of the watch tower XVIe siècle (≈ 1650)
Tower supporting the current bell tower
1777
Sculpture of the high altar
Sculpture of the high altar 1777 (≈ 1777)
Work by F.D. Mouret d'Hesdin
1808
Fonte de la belle *Jeanne Laure*
Fonte de la belle *Jeanne Laure* 1808 (≈ 1808)
Bell of the current bell tower
12 juillet 1912
Ranking of the rotating tabernacle
Ranking of the rotating tabernacle 12 juillet 1912 (≈ 1912)
Protection under title
1981-1983
Classification of furniture and statues
Classification of furniture and statues 1981-1983 (≈ 1982)
Protection of interior elements
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
F. D. Mouret d'Hesdin - Sculptor of the high altar
Author of the altar of 1777
Famille Gaucher du Broutel - Donors of the high altar
Acquisition during the Revolution
Origin and history
The church of Saint-Martin de Forest-Montiers stands in the west of the Somme department, on the edge of the forest of Crécy. This religious monument, built in bricks, bellows and flint, bears witness to a hybrid architecture typical of the region. Its history is closely linked to the local abbey, of which it was once a dependency, thus reflecting the importance of monastic heritage in this area.
The current structure incorporates a 16th century watch tower, which supports the bell tower equipped with a clock. The bell, named Jeanne Laure and founded in 1808, illustrates the evolution of the building throughout the centuries. Inside, the 18th-century coffered ceiling and the 1777 high altar, carved by F. D. Mouret d'Hesdin, attract attention. The latter, originally from a convent of the Black Sisters near Vieil-Hesdin, was acquired during the French Revolution and offers a rare characteristic: a rotating tabernacle, classified as a historical monument in 1912.
The church also houses furniture and statues from the seventeenth, eighteenth and nineteenth centuries, protected since the 1980s. These elements, combined with its architecture, make it a privileged witness to the religious and artistic history of Picardia, between medieval heritage and modern transformations.
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