Crédit photo : Frédérique Défrade - Sous licence Creative Commons
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Timeline
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1100
1200
1300
…
1900
2000
XIe siècle (hypothèse)
Old statuette on the base
Old statuette on the base XIe siècle (hypothèse) (≈ 1150)
Mentioned in a preserved drawing.
XIIe siècle
Initial construction
Initial construction XIIe siècle (≈ 1250)
Estimated period of the monolith cross.
28 juin 1972
Historical Monument
Historical Monument 28 juin 1972 (≈ 1972)
Official protection order for the monument.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Cemetery cross (old) at the bedside of the church (Box B 1004): by order of 28 June 1972
Key figures
Vierge - Sculpted figure
Represented under the cross.
Saint-Jean - Sculpted figure
Represented under the cross of the cross.
Origin and history
The cemetery cross of Saint-Étienne-le-Molard is a 12th-century granite monument of cruciform section with cellars at the angles. It measures 206 cm in height and has front and rear faces decorated with cheekbones and bas-reliefs. Under the cross, two characters sculpted in projections, the Virgin and Saint John, are visible, with a bas-relief decoration on the reverse. The drum rests on a trapezoidal base itself placed on a tablet and a masonry base, the latter being after the initial construction.
This cross, probably originally monolithic, underwent restorations. A drawing preserved at the Diana shows an ancient statuette (perhaps a Virgin of the 11th century according to the author of the drawing) carved on the old base. Classified as a Historical Monument by order of 28 June 1972, it is now owned by the commune and situated at the bedside of the church (cadastre B 1004).
The location of the cross at approximately 1 Church Square is estimated with poor accuracy (note 5/10). Its initial role, as a cross of path or cemetery, reflects its symbolic and religious importance in the local medieval community. The sculptures of the Virgin and Saint John underline its link with the Christian tradition of the time, where these representations served both as a spiritual landmark and as educational support for the faithful.
Architectural elements, such as bas-relief decoration and granite structure, are characteristic of 12th-century Romanesque art. The subsequent restoration of the base and the base indicates a desire for preservation, although these additions partially alter the original authenticity of the monument. Today, the cross remains a material testimony of medieval funeral and religious art in the region.
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