Sale of land 1862 (≈ 1862)
Land transferred by the City to regularize the wharf.
1864
Construction of building
Construction of building 1864 (≈ 1864)
Work of Henri Blondel with integrated apartment.
1866
Adding commons
Adding commons 1866 (≈ 1866)
Building in the backyard (reises, stables).
1890
Sale of the building
Sale of the building 1890 (≈ 1890)
Blondel sells the property after 26 years.
26 avril 1999
Partial protection
Partial protection 26 avril 1999 (≈ 1999)
Registration of remarkable items (door, vestibule, etc.).
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Cochère door; passage; vestibule; small living room, dining room and office with its basin (designated by Lot No. 61) of the former apartment of Henri Blondel located on the first floor, above the entresol (Box AN 97): inscription by order of 26 April 1999
Key figures
Henri Blondel - Architect and owner
Designed the building and lived there until 1893.
Auguste Millet - Sculptor
Author of the cariatides of the entrance porch.
Origin and history
The building, located at the 14 quai de la Mégisserie, in the 1st arrondissement of Paris, was erected in 1864 by architect Henri Blondel on land transferred by the City during the regularization of the wharf. This project is part of the urban transformations of the Second Empire, with an angled façade opening onto the wharf, Bertin-Poiré Street and Saint-Germain-l-Auxerrois Street. The building, designed to house the agency and the apartment of Blondel (until 1893), is distinguished by its cariatide porch carved by Auguste Millet, its inner passage and its vestibule decorated with ancient columns and medallions.
The structure consists of two basement levels, three square floors, one broken floor and one attic. Blondel's apartment, on the first floor, retains an exceptional original decoration: gilded stucco, painted door tops and ground cornices. In 1866, a building of communes (remises and stables) was added to the backyard. The building, sold in 1890, sees certain elements protected by decree in 1999, including the cochère door, the passageway, the vestibule and rooms of the old apartment.
The architecture combines classic references and urban functionality, illustrating the know-how of Blondel, trained at the School of Fine Arts. The ancient cariatids of Millet highlight the aesthetic ambition of the project. The location on the Quai de la Mégisserie, historical for its artisanal activities (megisserie, crèchesseries), strengthens its anchor in the Haussmannian Paris, between modernity and heritage.
Ranked a Historical Monument for its most remarkable parts, the building bears witness to the Parisian changes under Napoleon III. The 1999 protection also concerns the small living room, dining room and office of Blondel, with its integrated basin. These spaces, preserved in their original state, offer a rare example of bourgeois housing linked to the profession of architect in the nineteenth century.
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