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Building à Montauban dans le Tarn-et-Garonne

Tarn-et-Garonne

Building

    25 Place nationale
    82000 Montauban
Crédit photo : MOSSOT - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1900
2000
1516
Date engraved on a house
1556
Date engraved on a house
6 mars 1917
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Facade and Roofing: by Order of 6 March 1917

Key figures

Pierre Besneville - Architect Designer of the National Square

Origin and history

The building on the Place Nationale in Montauban is part of a remarkable 16th century architectural ensemble. This historic monument is distinguished by its ground floor forming a double vaulted gallery on dogive crosses, while the top three floors have alternate rectangular and circular shapes. Some houses in this square bear the engraved dates of 1516 and 1556, attesting to their reborn origin. The design of this ensemble is attributed to the Toulouse architect Pierre Besneville, who preferred the use of the brick, with the exception of the arch keys, vaults and window supports, made of a different material.

The National Square illustrates the harmony of Renaissance civil constructions in southwestern France. The facades, classified as Historical Monument by decree of 6 March 1917, reflect a geometric rigor and a stylistic unit characteristic of this period. The systematic use of brick, a local material, and the presence of vaulted galleries on the ground floor suggest a desire to unify public space while meeting practical needs, such as the shelter of merchants or passers-by. These architectural elements also show the influence of Italian models, adapted to regional constructive traditions.

The architect Pierre Besneville, from Toulouse, played a key role in the realization of this ensemble. His work in Montauban is part of a period of economic prosperity for the city, marked by the trade of pastel and cereals. The National Square, with its buildings with regular ordinances, symbolizes this fascist era and the desire of local elites to modernise the urban space. Today, the protected facades and roofs are reminiscent of this architectural heritage, although the accuracy of the current location is considered satisfactory a priori according to the available sources.

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