Statue of the Virgin to the Child XVIe siècle (≈ 1650)
Work in polychrome wood preserved.
1699
First mention of the church
First mention of the church 1699 (≈ 1699)
Nef and absidioles cited in the acts.
1716
Construction of the bell tower
Construction of the bell tower 1716 (≈ 1716)
Date engraved on the foundation plate.
milieu XVIIIe siècle
Bas-relief of the baptismal fonts
Bas-relief of the baptismal fonts milieu XVIIIe siècle (≈ 1850)
Represents the baptism of Christ.
1934
Creation of stained glass windows
Creation of stained glass windows 1934 (≈ 1934)
Directed by Pierre Campagne.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Coysevox - Baroque sculptor
Suspected author of the statue.
Pierre Campagne - Glass artist
Creator of stained glass in 1934.
Origin and history
The church of the Nativity-de-Notre-Dame, located in the village of Semons (comune of Tupin-et-Semons, Rhône department), is dedicated to the Nativity of the Virgin. It belongs to the parish Blessed Frédéric Ozanam in the Land of Condrieu, under the archdiocese of Lyon. Its location overlooking the Rhône valley makes it a visible landmark from the river, marked by a tradition where the boatmen greeted the building of a Ave Maria in the eighteenth century.
A first mention of the church, with a single nave and three apsidioles, dates back to 1699 in parish acts. The current bell tower, accompanied by the presbytery, was built in 1716, as indicated by a foundation plate. The building contains several remarkable elements: a statue of the Virgin attributed to the sculptor Coysevox (classified as a historical monument), stained glass windows by Pierre Campagne (1934), a polychrome wooden statue from the Virgin to the Child from the 16th century, and an 18th century bas-relief representing the baptism of Christ.
The church embodies a local religious and artistic heritage, combining 18th century architecture and works of various periods. Its historical role includes a spiritual function for the boatmen of the Rhône, reflecting the importance of religious buildings as points of reference and devotion in the riverscapes. The statue of Coysevox, a major part of its heritage, highlights its anchoring in French Baroque art.
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