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Notre-Dame-de-la-Platea Cathedral of Antibes dans les Alpes-Maritimes

Patrimoine classé
Patrimoine religieux
Cathédrale
Eglise romane
Alpes-Maritimes

Notre-Dame-de-la-Platea Cathedral of Antibes

    1 Rue du Saint-Esprit
    06160 Antibes
Cathédrale Notre-Dame-de-la-Platea dAntibes
Cathédrale Notre-Dame-de-la-Platea dAntibes : intérieur

Timeline

Antiquité
Haut Moyen Âge
Moyen Âge central
Bas Moyen Âge
Renaissance
Révolution/Empire
XIXe siècle
Époque contemporaine
400
500
600
1100
1200
1300
1700
1800
1900
2000
442
Council of Vaison
Ve siècle
The Bishop's Foundation
1124
Sarrasin incursion
1244
Transfer of the bishopric
1746
Austrian bombardment
16 octobre 1945
MH classification
Aujourd'hui
Aujourd'hui

Key figures

Saint Armentaire (Hermantaire) - First Bishop of Antibes Founded the first cathedral in the fifth century.
Pape Léon le Grand - Pope appointing Armentary Consecrated the bishop in 442.
Joseph Dolle - Wood sculptor Author of the doors (1710).
Louis Bréa - Nice painter Retable Notre-Dame du Rosaire (1515).
Louis XV - King of France Finished the restoration (1746).

Origin and history

Notre-Dame-de-l'Immaculée-Conception Cathedral, also known as Notre-Dame-de-la-Platea, was the episcopal seat of Antibes from the fifth century until 1244, when it was transferred to Grasse. It is the largest church in the city and preserves traces of its paleo-Christian origin, including a double church dated the fifth century, discovered during excavations under the Holy Spirit Chapel. According to local tradition, it was built on the foundations of a Roman temple dedicated to Diane and Minerva.

The first certified bishop, Saint Armentaire (or Hermantaire), monk of the abbey of Lérins, was appointed by Pope Leo the Great and quoted at the council of Vaison in 442. He dedicated the first cathedral to the Virgin Mary, reworked until the Carolingian era. A Saracen incursion in 1124 did not damage the cathedral area, but affected the city. The facade, destroyed in 1746 during the Austrian Succession War, was restored by Louis XV with royal funds.

The outstanding architectural elements include the 18th-century doors carved by Joseph Dolle, representing Saint Roch and Saint Sebastian, protectors of Antibes. The interior houses a altarpiece of Louis Bréa (1515), a wooden Christ of 1447, and an organ of 1860. The cathedral, classified as a historical monument in 1945, also includes the Holy Spirit Chapel and the Grimaldi Tower, testimonies of its evolution throughout the centuries.

Major construction periods date back to the 12th and 17th centuries, with later modifications such as the 19th century façade. The building thus illustrates almost 15 centuries of religious and architectural history, mixing paleo-Christian, medieval and classical influences.

External links