Construction of hotel 1er quart XVIIe siècle (≈ 1725)
Period of initial building construction.
26 octobre 1954
Historical monument classification
Historical monument classification 26 octobre 1954 (≈ 1954)
Classification of the façade, gallery and roofs.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Façade on the square; arched gallery, including floor; all the roofs of the building overlooking the square: classification by decree of 26 October 1954
Origin and history
The Lafont hotel, also known as the Breteuil hotel, the Dangeau hotel, the Missan hotel or the Sainson hotel, is an emblematic mansion of Parisian architecture from the early 17th century. Located in the 12th place des Vosges in the 4th arrondissement of Paris, it is part of the homogeneous architectural ensemble of this royal square, designed under Henri IV. Its location, on the east side of the square, between the Châtillon and Ribault hotels, reflects the rigorous urban planning of the time, where symmetry and harmony of facades were paramount.
The building was classified as historical monuments by order of 26 October 1954, a recognition that specifically concerns its facade on the square, its arch vaulted gallery (including the ground), as well as all the roofs of the main building. These protected elements illustrate the architectural style characteristic of Parisian mansions of the period, where arcades and slate roofs played an aesthetic and functional role. Today, the hotel belongs to the municipality of Paris, although its current use (visits, rentals, etc.) is not specified in the available sources.
The Place des Vosges, on which the Lafont Hotel gives, is one of the oldest planned squares in Paris, conceived as a place of residence for the aristocracy and the affluent bourgeoisie. At the time of its construction, at the beginning of the 17th century, this district embodied prestige and power, attracting influential personalities from the court or finance. Private hotels bordering it, including Lafont, were both private residences and places of social representation, reflecting the status of their owners through their architecture and decoration.
Announcements
Please log in to post a review