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Manoir de la Chatière à Abilly en Indre-et-Loire

Patrimoine classé
Demeure seigneuriale
Manoir
Indre-et-Loire

Manoir de la Chatière

    24 Murat
    37160 Abilly

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1400
1500
1600
1900
2000
XIIe siècle
Construction of the chapel
XIIIe siècle (partiel)
South Wing Wall
XVe siècle
Main building and tower
24 mai 1948
Historical monument classification
Aujourd'hui
Aujourd'hui

Heritage classified

Court gate; buildings north and west; ruins of the chapel; Northeast tower: inscription by order of 24 May 1948

Key figures

Information non disponible - No names cited in the sources The texts do not mention any characters.

Origin and history

The chatière manor house, located in Abilly (Indre-et-Loire), is a building dating back to the 12th and 15th centuries. This historic monument, inscribed on May 24, 1948, was a fief dependent on the baronies of the Hague and Grand-Pressigny. It illustrates the defensive and seigneurial architecture of the region, with preserved elements such as a Romanesque chapel and a cylindrical tower pierced by murderers.

The old castle remains several notable structures: a long building of the 15th century, partially inhabited and used as an attic, as well as a wing in return of square whose walls probably date from the 13th century, rebuilt to the 16th. The main entrance door, the 12th century chapel and a defensive tower with a conical roof adorned with carved windows complete this ensemble. These elements, protected by decree in 1948, bear witness to the architectural evolution of the site over centuries.

The chatière mansion embodies the medieval and Renaissance heritage of Touraine, a region where local fiefs played a key role in territorial organisation and defence. Its inscription in historical monuments underlines its importance for understanding seigneurial systems and construction techniques between the Middle Ages and the modern era. The remains, such as murderers and animal sculptures, also recall the military and artistic concerns of their builders.

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