Crédit photo : stefano Merli from legnano, italy - Sous licence Creative Commons
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Timeline
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1800
1900
2000
1789
Departure of nuns
Departure of nuns 1789 (≈ 1789)
Abandoned from the convent after the Revolution.
1847
Creation of the Schongauer Society
Creation of the Schongauer Society 1847 (≈ 1847)
Louis Hugot installed a Roman mosaic in Unterlinden.
1852
Transfer of revolutionary works
Transfer of revolutionary works 1852 (≈ 1852)
Arrival of the altarpiece of Issenheim and other works.
3 avril 1853
Opening of the museum
Opening of the museum 3 avril 1853 (≈ 1853)
Official opening to the public.
2012–2015
Extension by Herzog & de Meuron
Extension by Herzog & de Meuron 2012–2015 (≈ 2014)
Expansion and modernization of the museum.
12 décembre 2015
Re-opening after construction
Re-opening after construction 12 décembre 2015 (≈ 2015)
New space for modern art.
23 janvier 2016
Official Inauguration
Official Inauguration 23 janvier 2016 (≈ 2016)
Presence of President François Hollande.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Matthias Grünewald - Painter
Author of the altarpiece of Issenheim (1512–1516).
Martin Schongauer - Gravel and colmarian painter
Major works exhibited, Flemish influence.
Louis Hugot - Founder of the Schongauer Society
Initiator of the firm of prints in 1847.
Florine Langweil - Collector and donor
Gifts of Far Eastern Art (1914–1958).
Herzog & de Meuron - Swiss architects
Designers of the modern extension (2015).
François Hollande - President of the Republic
Official opening in 2016.
Origin and history
The Unterlinden Museum is an art museum located in Colmar, Haut-Rhin department. It is located in the former Dominican convent of Unterlinden, founded in the 13th century, and has been run for more than 150 years by the Schongauer Society, a local autonomous association. The museum is particularly renowned for the retable of Issenheim, a masterpiece by Matthias Grünewald (1512-1516), exhibited in the former Conventual Church. The collections extend from medieval art to modern and contemporary works, with an extension designed by the architects Herzog & de Meuron in 2015.
The origins of the museum date back to the French Revolution, when the convent buildings, abandoned after the departure of the nuns in 1789, were used as military barracks. In 1847 Louis Hugot, founder of the Schongauer Society, installed a Gallo-Roman mosaic discovered in Bergheim in the church of Unterlinden. In 1852, the works confiscated during the Revolution, including the altarpiece of Issenheim, were transferred there. The museum officially opened its doors to the public on 3 April 1853, saving the buildings from demolition.
The museum's collections reflect the Rhenish art of the 15th and 16th centuries, a period that was a delight for the region. They include paintings, sculptures, engravings by Martin Schongauer, as well as works by Hans Holbein the Old, Lucas Cranach the Old and Caspar Isenmann. The museum also houses archaeological objects, Alsatian decorative arts (furniture, earthenware, goldsmithy) and an extreme-eastern art collection offered by Florine Langweil, including Japanese tsubas and Han vases.
The modern extension, inaugurated in 2015, has reorganized the spaces into three poles: the chapel and cloister for medieval art, the old municipal baths for 19th century collections, and the new building for modern and contemporary art. This project, costing €43.9 million, expanded the museum to 7,900 m2, incorporating an underground gallery linking historical and modern spaces. President François Hollande officially opened the site on January 23, 2016.
Among the masterpieces are the retable of Issenheim, but also works such as La Mélancholie by Lucas Cranach the Elder, The Miracle of the Resurrection of Roasted Chickens (circa 1470), and sculptures such as The Virgin of Niedermorschwihr (circa 1500). The engravings by Martin Schongauer, a 15th-century colmarian artist, occupy a central place there, testifying to the influence of the primitive Flemish on Rhine art.
The Unterlinden Museum also plays a role in the preservation of Alsatian traditions, with collections of popular art and traditions (furniture, toys, culinary objects of the 17th–12th centuries). Its international reach is reinforced by temporary exhibitions and collaborations, such as the 150 years of relations between Alsace and Japan in 2014.
Ouverture annuelle : Le musée est ouvert toute l?année sauf les mardis et certains jours fériés : Lundi 9-18h - Mercredi 9-18h Jeudi 9-20h Vendredi - Dimanche 9-18h
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