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Chapelle Notre-Dame de Liesse et de Consolation à Moulins-sur-Yèvre dans le Cher

Patrimoine classé
Patrimoine religieux
Chapelle
Cher

Chapelle Notre-Dame de Liesse et de Consolation à Moulins-sur-Yèvre

    101-102 La Chapelle
    18390 Moulins-sur-Yèvre

Timeline

Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1600
1700
1800
1900
2000
1619
Initial construction
1808
Transformation into a funeral chapel
1872
Reconstruction
1889
Landscaping
1907
Commemorative sculpture
2013
Historic Monument Protection
Aujourd'hui
Aujourd'hui

Heritage classified

The chapel, its enclosure and the monumental group it contains, carved at the beginning of the 20th century by the Marquis Félix de Chaumont de Quitry (cad. AD 44, placed la Chapelle): inscription by decree of 4 February 2013

Key figures

Catherine Doulé - Initial sponsor Founded the chapel in 1619.
Pierre de Biet - Lord of Maubranche Husband of Catherine Doulé.
Marie-Barthélémy de Bar - Count and patron Transformed the chapel in 1808.
Émile Bussière - Architect Directed the reconstruction in 1872.
Albert Pascault - Architect Collaborated in the reconstruction of 1872.
Henri Duchêne - Landscape architect Created the green wall in 1889.
Félix de Chaumont-Quitry - Sculptor Author of the marble group (1907).

Origin and history

The chapel Notre-Dame de Liesse et de Consolation, located at Moulins-sur-Yèvre, originated in 1619 when Catherine Doulé, wife of Pierre de Biet (Lord of Maubranche), had it built after a miracle. This place of pilgrimage, served by the Carmelites of Bourges, was accompanied by a hospice and gardens. It became a site of Marian devotion for the local population and visiting pilgrims.

In 1808, Count Marie-Barthélémy de Bar transformed the chapel into a family grave for the Chatelans of Maubranche. A major reconstruction took place from 1872, led by architects Émile Bussière and Albert Pascault. The site was then embellished in 1889 by landscape architect Henri Duchêne, who surrounded it with a persistent green wall, creating a vegetal box around the monument.

At the beginning of the 20th century, Marquis Félix de Chaumont-Quitry erected a monumental white marble group in memory of his wife, who died in 1907. This sculpture, always visible in front of the chapel, marks the culmination of the site's transformations. The chapel, its enclosure and this carved group were protected by an inscription at the Historic Monuments in 2013, recognizing their heritage and historical value.

The monument thus illustrates centuries of religious, funeral and artistic history, mixing popular devotion, aristocratic sponsors and interventions by renowned architects and artists. Its evolution reflects the changes in vocation of the place, from Marian pilgrimage to the private chapel and then to the memorial site.

External links