Primary treatment XIe siècle (≈ 1150)
Seat of a parish with two annexes.
1670–1680
Table of the high altar
Table of the high altar 1670–1680 (≈ 1675)
Work by Pierre Bacqué, Baroque style.
XVIe–XVIIe siècle
Construction of sacristy
Construction of sacristy XVIe–XVIIe siècle (≈ 1750)
North expansion of the building.
1833
Major reconstruction
Major reconstruction 1833 (≈ 1833)
Campaign initiated by the mayor and parish priest.
19 septembre 2017
Historical Monument
Historical Monument 19 septembre 2017 (≈ 2017)
Protection of the apse and paintings.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The apse and its murals of the church Saint-Pierre-aux-Liens d'Eget, as delimited in red on the plan attached to the decree (Box B 620): inscription of 19 September 2017
Key figures
Pierre Bacqué - Sculptor-restor
Author of the Baroque altarpiece (1670–1680).
Maire d'Aragnouet (1833) - Initiator of work
Reconstruction with the local priest.
Curé d'Aragnouet (1833) - Co-initiator of work
Restoration campaign of 1833.
Origin and history
The church Saint-Pierre-aux-Liens d'Éget is a Catholic church located in the hamlet of Éget-Village, above Éget-Cité, on the commune of Aragnouet (Hautes-Pyrénées). His term recalls Saint Peter's miraculous escape from Mamertine prison, according to Christian tradition. Until the 11th century, it housed a main cure with two annexes to Aragnouet and Tramezaigues, testifying to its historical importance in the valley.
The building, of Romanesque origin, was enlarged to meet the needs of a growing parish. The northern sacristy was added between the 16th and 17th centuries. In the 19th century, in 1833, a reconstruction campaign was carried out by the mayor and parish priest, as evidenced by the inscriptions above the door. The church combines a single carpented nave, a semicircular apse arched in cul-de-four, and a bell tower-pouch covered with a roof to the imperial.
The apse preserves rare Romanesque murals in the Hautes-Pyrénées, partially covered by late medieval decorations. Two major scenes remain: the Nativity and the Annonce aux Bergers, highlighting the artistic value of the site. The altar retable, created by Pierre Bacqué between 1670 and 1680, illustrates the Baroque evolution of the building. The apse and its paintings were classified as Historic Monument in 2017.
The monument reflects the architectural and liturgical transformations of the region, from its role as a medieval cure to its modern restorations. Its high location, dominant Eget-Cité, also suggests a symbolic function in the local landscape, between spirituality and mountain community.
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