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Berghe Funeral Chapel à Rânes dans l'Orne

Orne

Berghe Funeral Chapel

    9 Rue des Hirondelles
    61150 Rânes
Crédit photo : Ikmo-ned - Sous licence Creative Commons

Timeline

XIXe siècle
Époque contemporaine
1900
2000
1er septembre 1870
Battle of Sedan
octobre 1870
Death of Pierre de Berghes
1873
Completion of the chapel
15 novembre 2010
Registration for historical monuments
Aujourd'hui
Aujourd'hui

Heritage classified

The funeral chapel in its entirety, including its original furniture (Box ZI 90, Placed Champ de Coupey): inscription by decree of 15 November 2010

Key figures

Pierre de Berghes - Sponsor (family) Death in Sedan, origin of project
Victor Ruprich-Robert - Diocesan architect Designer of the chapel and furniture

Origin and history

The Berghes Funeral Chapel, also known as the Saint Peter Chapel, is a Catholic building located in Rânes, Orne. Built in the 3rd quarter of the 19th century (circa 1870-1873), it was commissioned by the Berghes family, then owner of the local castle, following the death of Pierre de Berghes. The latter, wounded at the Battle of Sedan (1 September 1870), died in October 1870 in Brussels. The architect Victor Ruprich-Robert, then diocesan architect, designed this monument in neo-Roman style, combining a medieval scholarly structure with a free ornamentation.

The building, completed in 1873 for a budget of 35,000 francs, gathered the family burials from that date. Built in granite (exterior) and limestone from Habloville (inner), it has arches in the middle of the hanger and third-point, evoking the thirteenth century. Its masonry vault, supported by foothills, and its original furniture (prie-dieu, chairs), designed by Ruprich-Robert, illustrate its stylistic unit. The chapel, with a capacity of about fifteen people, was listed as a historical monument on 15 November 2010.

The chapel is part of the work of Ruprich-Robert, marked by a personal reinterpretation of medieval forms. Its location, at the place known as Champ de Cousey, and its status as communal property (since its inscription) make it a local testimony of post-war aristocratic funeral architecture of 1870. The choice of materials (two distinct granites, limestone) and the initial slate and lead cover reflect a desire for durability and prestige.

The furniture, still in place, is characteristic of the architect's work, which applied meticulous care. The chapel, although of modest size, adopts a monumentality close to a small church, highlighting its role both memorial and liturgical. Its recent inscription (2010) attests to its heritage value, both architectural and historical, linked to the memory of Second Empire conflicts.

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