Construction of church 4e quart XIIe siècle - XIIIe siècle (≈ 1287)
Main building period of the monument.
19 janvier 1995
Registration Historic Monument
Registration Historic Monument 19 janvier 1995 (≈ 1995)
Official protection by ministerial decree.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Church (C. 237): registration by decree of 19 January 1995
Key figures
Information non disponible - No character identified
Sources do not mention any related historical actors.
Origin and history
The church Our Lady of the Assumption of Mathons is a religious building built between the 4th quarter of the 12th century and the 13th century. Located in the village of Mathons, in Haute-Marne (Department 52), it illustrates medieval ecclesial architecture of the Champagne-Ardenne region, now integrated into the Great East. Its registration as a Historic Monument by order of 19 January 1995 attests to its heritage value, although the available sources do not specify the details of its foundation or any subsequent modifications.
The location of the church at 2 Grande Rue in Mathons (INSEE code 52316) is documented in the Merimée database, with geographical accuracy considered "a priori satisfactory" (note 6/10). Owned by the municipality, the building includes protected features, including the building itself (cadastre section C, parcel 237). The archives do not mention sponsors, artisans or significant events related to its construction, but its status as Historic Monument underlines its importance in the local heritage.
At the time of its construction, between the 12th and 13th centuries, parish churches like Our Lady of the Assumption played a central role in the lives of rural communities. They served not only as a place of worship, but also as a gathering point for collective decisions, religious holidays and ceremonies marking the stages of life (baptisms, marriages, burials). In a region such as Champagne, then under the influence of the Counts of Champagne and neighbouring abbeys, these buildings often reflected artistic and technical exchanges between local workshops and wider architectural currents, such as the nascent Gothic art.