Creation of the "Kriegsmuseum" 1875 (≈ 1875)
Foundation by V. Erpeldinger in Gravelotte.
1908
Transfer to German Association
Transfer to German Association 1908 (≈ 1908)
Tomb management and Germanic memory.
1918
Receiver and transfer to Gravelotte
Receiver and transfer to Gravelotte 1918 (≈ 1918)
Passage under French administration.
1944
Pillows and bombings
Pillows and bombings 1944 (≈ 1944)
Major damage during Liberation.
1996
Resumed by the Department
Resumed by the Department 1996 (≈ 1996)
Creation of departmental conservation.
2008
Opening of the new museum
Opening of the new museum 2008 (≈ 2008)
Building designed by Bruno Madeira.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Victor Erpeldinger - Founder of the "Kriegsmuseum"
Originally from Metz, the museum began in 1875.
Bruno Madère - Architect of the present museum
Designed the brutalist building in 2008.
Pierre Verger - Museographer
Head of scenography in 2008.
Origin and history
The museum originated in 1875 when Victor Erpeldinger of Metz set up a Kriegsmuseum in Gravelotte on the current site. This project was born in the context of the annexation of Alsace-Moselle to the German Empire (1871-1918). In 1908, the property was transferred to the German Association for the Maintenance of Graves, reflecting the Germanic memory of the war. After 1918, the museum was placed under receivership and then transferred to the commune of Gravelotte, marking its passage under French administration.
Between 1944 and 1958, the museum was looted and damaged: the bombings from September to November 1944 partially destroyed the village and dispersed the collections. In 1958, a new museum opened, but the lack of resources in the commune caused a slow deterioration. The situation improved in 1992, when Lorraine Regional Natural Park created an intermunicipal union to manage three museums, including Gravelotte, allowing the recruitment of a curator.
In 1996, the Moselle Department took over the management of museums through departmental conservation. The scientific and cultural project, validated in 2003, resulted in the construction of a new building in 2008, signed by architect Bruno Madeira. This brutalist museum, surrounded by brass evoking armament, now houses 6,000 objects: uniforms, weapons, archives, paintings (including fragments of the Rezonville Panorama) and prints of Auguste Lançon. The collections are enriched by depots, such as those of the Musée de Mars-la-Tour or Metz museums.
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