Opening of the monument 1927 (≈ 1927)
Presence of Albert Sarraut, Maurice Sarraut and Léon Blum
18 octobre 2018
Registration for historical monuments
Registration for historical monuments 18 octobre 2018 (≈ 2018)
Protection among 42 monuments in Occitanie
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The monument to the dead, in whole, as delimited in red on the annexed cadastral plan, located on the avenue de Saint-Chinian section C parcel 2195: inscription by order of 18 October 2018.
Key figures
René Iché - Sculptor
Author of *Le Souvenir*, central work
Albert Sarraut - Political personality
Present at the inauguration of 1927
Léon Blum - Stateman
Participation in the inauguration of the monument
Origin and history
The Ouveillan Memorial to the Dead, located in the department of Aude in the Occitan region, was erected to honour the local victims of the First World War (1914-1918). Inaugurated in 1927, he distinguished himself by his pacifist approach, materialized by the sculpture Le Souvenir by René Iché. This artistic choice reflects a desire to convey a message of peace, rare for memorials of the time, often centered on glory or heroic sacrifice.
This monument was listed as a historical monument on October 18, 2018, as part of a wave of protections affecting 42 monuments to the dead in the Occitanie region. This official recognition underscores its architectural, artistic and historical value, as well as its role in collective memory. The inauguration of 1927 brought together major political figures, including Albert Sarraut, Maurice Sarraut and Léon Blum, marking its symbolic importance from its beginning.
Located on Avenue Saint-Chinian in Ouveillan, the monument is the property of the commune. Its inscription concerns the entire structure, as delimited on the cadastral plane (Section C, Parcel 2195). The accuracy of its geographic location is estimated as "passible" (level 5/10), based on available data. The sculpture, with its style and message, is part of the post-Great War art stream, where the expression of mourning and hope for peace becomes more visible.
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