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Saint-Valéry de Veulettes-sur-Mer Church en Seine-Maritime

Patrimoine classé
Patrimoine religieux
Eglise romane et gothique

Saint-Valéry de Veulettes-sur-Mer Church

    Rue Monseigneur Maillet
    76450 Veulettes-sur-Mer
Ownership of the municipality
Crédit photo : Paubry - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1000
1100
1200
1300
1400
1700
1800
1900
2000
Xe siècle
Site donation to monks
XIIe–XIIIe siècles
Initial construction
1740–1789
Demolition of lateral naves
1870–1905
Reconstruction of the naves
1910
Historical monument classification
Années 1920
Installation of modern stained glass windows
Aujourd'hui
Aujourd'hui

Heritage classified

Church: by decree of 21 March 1910

Key figures

Sire de Kanouville - Suspected donor Aura offered the site in the 10th century
Moines de l’abbaye Saint-Ouen de Rouen - Initial Masters Directed construction in the 12th–13th centuries
Abbé Bru - Curé from 1877 to 1894 Finished the work with his paintings
Abbé Jules Gayraud - Curé from 1895 to 1912 Finished the works with his poems
Louis Barillet - Glass artist Author of the central window ( 1920s)

Origin and history

The church Saint-Valéry de Veulettes-sur-Mer, located in the Seine-Maritime department in Normandy, has been built from the 12th century under the direction of monks of Saint-Ouen Abbey of Rouen. The site would have been offered as early as the 10th century by the Sire de Kanouville, although its construction extends mainly from the 12th and 13th centuries until the 19th century. The building, protected since 1910, presents a basilical plan in Latin cross, with a central nave with four spans and a Gothic choir with pentagonal apse. The collateral naves, rebuilt between 1870 and 1905, replaced those demolished between 1740 and 1789, of which re-used elements were still visible in the village in the 20th century.

The architectural style of the church combines Romanesque and Gothic influences: the nave preserves arches in the middle of the hangar and round pillars to capitals, while the choir, dated the 12th century, has dogive vaults. The quadrangular bell tower, covered with a slate, dominates the junction between the nave and the choir. The modern stained glass windows of the choir, made in the 1920s, are the work of Louis Barillet (central window) and his collaborators Théo-Gérard Hansen and Jacques Le Chevallier. Their installation was part of a period of active restoration, financed notably by the initiatives of the parish priests of the time, Abbé Bru (1877–94) and Abbé Jules Gayraud (1895–1912), who sold their own artistic creations to raise funds.

Ranked a historic monument in 1910, the church illustrates the architectural and community evolution of Veulettes-sur-Mer. The current lateral naves, rebuilt at the end of the 19th century, reproduce the old demolished a century earlier. Their participatory funding, organized by the priests, reflects the local attachment to this heritage. The stained glass windows, added in the 20th century, demonstrate a desire for modernisation while preserving the medieval heritage. The building remains today a symbol of the mixture of epochs and styles, anchored in Norman history.

External links