Death of hermit Marien 513 (≈ 513)
Founding relics of the monastery.
IXe siècle
Augustine Monastery already active
Augustine Monastery already active IXe siècle (≈ 950)
Old provost mentioned.
1264
Link to Saint-Amable de Riom
Link to Saint-Amable de Riom 1264 (≈ 1264)
Change of monastic guardianship.
XVe siècle
Postwar reconstruction of One Hundred Years
Postwar reconstruction of One Hundred Years XVe siècle (≈ 1550)
Nef and downsides are redone.
1657-1660
Major collapses
Major collapses 1657-1660 (≈ 1659)
Vault, choir and transept destroyed.
1714-1731
Link to the Holy Chapel of Riom
Link to the Holy Chapel of Riom 1714-1731 (≈ 1723)
Debt relief negotiations.
1942
A devastating fire
A devastating fire 1942 (≈ 1942)
Lost vaults and furniture.
1984
Restoration of the roof
Restoration of the roof 1984 (≈ 1984)
Post-fire work.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Église Saint-Pierre et Saint-Paul : classification par avis de classification du 1er octobre 1841
Key figures
Marien - Ermite and Saint Local
Relics originally from the monastery.
Anne-Marie-Louise d’Orléans - Duchess of Combrailles
Partial funder of restorations.
Origin and history
Saint-Pierre-et-Saint-Paul Abbey of Évaux-les-Bains, listed as a Historic Monument in 1841, finds its origins around the relics of the Marien hermit (died 513), attracting Augustine canons from the 9th century. The site, already an influential monastery, was attached in 1264 to the monastery of Saint-Amable in Riom. The bell tower, partially dating from the 11th century, incorporates probably Carolingian sculptures, bearing a high medieval origin. The nave, a transition between Roman and Gothic, was damaged during the Hundred Years' War, requiring reconstructions in the 15th and 16th centuries.
The collegiate church, designed to welcome pilgrims, suffered major collapses in the 17th century: the vault of the nave in 1657, then the choir and transept in 1660. In the 18th century, in a classical style, the bedside was partly financed by Anne-Marie-Louise d'Orléans, Duchess of Combrailles, although the community came out in debt. A fire in 1942 destroyed the wooden vaults, the altarpiece and the stalls, sparing only Saint Marien's castle and an altar dedicated to St Augustine.
The building combines three distinct parts: a primitive Romanesque bell tower (with possible anterior elements), a nave with XII century capitals announcing Gothicism, and a classic 18th century bedside. The interlaced capitals and inlaid metopes suggest a re-use of ancient materials, perhaps from a Roman peristyle. After successive restorations, including that of the roof in 1984, the Abbey remains a major testimony of limousine religious architecture, marked by the hazards of history and reconstructions.
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