Estimated construction entre 3000 et 2500 av. J.-C. (≈ 100 av. J.-C.)
Dating by stylistic comparison.
1843
First written entry
First written entry 1843 (≈ 1843)
By Jean-Baptiste Ogée.
1884
First detailed description
First detailed description 1884 (≈ 1884)
By Jean-Marie Abgrall.
14 juin 1909
Historical Monument
Historical Monument 14 juin 1909 (≈ 1909)
Ministerial decree.
milieu du XIXe siècle
Undocumented searches
Undocumented searches milieu du XIXe siècle (≈ 1950)
Unknown results.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Covered alley of Mougau (Box D 365): classification by order of 14 June 1909
Key figures
Jean-Baptiste Ogée - History and geographer
First to mention the monument (1843).
Jean-Marie Abgrall - Archaeologist
Author of the first description (1884).
Origin and history
The covered road of Mougau-Bihan, also called Ti Lia Ven ("the flat stone" in Breton), is a megalithic monument located in Commana, Finistère. By comparison between 3000 and 2500 B.C., it consists of an 11 m funeral chamber and a 2.30 m terminal cell, all covered with five granite slabs. Its north-south orientation and narrow entrance, marked by an oblique pillar, suggest a ritual function related to neolithic funeral practices. Several inner slabs carry sculptures in bas-relief, including pairs of breasts, "pallets" and a curved axe, symbols still poorly interpreted today.
The monument was first mentioned in 1843 by Jean-Baptiste Ogée and described in detail by Jean-Marie Abgrall in 1884 in the Bulletin of the Archaeological Society of Finistère. Stunned in the mid-19th century without documented results, it is classified as historical monuments by order of 14 June 1909. Its alternative name, Al Lia Vaen, reflects its use as a collective burial for a local community, typical of Breton covered alleys. Stylistic comparisons with other megalithic sites in the region have improved its dating.
The carved ornaments, including breast and tool motifs, could evoke symbols of fertility or social status, common in megalithic art. The bedside slab, separating the room from the cella, carries a unique representation of ache-crosse, rare in the Breton repertoire. The site, although partially studied, remains a major testimony of the funeral and artistic practices of the final Neolithic in Armoric. Its state of conservation and its architectural peculiarities make it a subject of study for archaeologists, as evidenced by the work of Yohann Sparfel and Yvan Pailler (2011).
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