Discovery of the statue 1839 (≈ 1839)
Exhumed in the Sagonne valley.
1840
Historical monument classification
Historical monument classification 1840 (≈ 1840)
First European Menhir statue described.
Années 1960
Moving in front of the church Sant'Appiano
Moving in front of the church Sant'Appiano Années 1960 (≈ 1960)
First relocation to Vico.
XXe siècle (date non précisée)
Installation at the Col de Saint-Antoine
Installation at the Col de Saint-Antoine XXe siècle (date non précisée) (≈ 2007)
Current position at village entrance.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Ancient figure of Appriciani (carved rock in the shape of a human head): ranking by list of 1840
Key figures
Prosper Mérimée - Writer and Inspector of Historic Monuments
Described the statue in 1840.
Origin and history
The Stantara d'Apricciani, also known as the ancient figure of Appriciani, is a statue-menhir of the Bronze Age discovered in 1839 in Vico, South Corsica. She was exhumed buried in the lower Sagonne valley near Sagone. Prosper Mérimée described it in 1840 in Notes d'un voyage en Corse as a flat stone of 2.12 m tall, carved to evoke a human head with stylized features: eyes, nose, mouth, beard in point, and hair divided into two tufts. The breasts and pectoral muscles are sketched, while the back shows roughly figurative scapula. Mérimée called it an "Idol of the Moors", echoing a local legend according to which an enigmatic inscription (Girami; e vedrai...) would have been engraved on a similar statue.
Classified as a historical monument in 1840, this statue-menhir was first exhibited in front of the church of Sant'Appiano in the 1960s, before being moved to the pass of Saint-Antoine, at the entrance of Vico. Its features include protuberances to the ears, interpreted as a helmet, and geometric "X" motifs on the chest and back, evoking a armor or spine. Erosion has blurred some details, but a razing light still reveals the nose in relief, eyes and mouth in hollow. It belongs to the group of corse statues-menhirs, marked by schematic anthropomorphic features and a symbolism probably related to the beliefs or social status of the time.
The discovery of this statue is of major historical importance: it was the first statue-menhir described in Europe, attracting the attention of 19th-century scholars as Merimée. Its transportation and presentation in the twentieth century reflect the growing interest in the Corsican megalithic heritage. The engraved motifs, such as eroded cupules and pectoral representations, suggest a sophisticated craftsmanship for the Bronze Age, as well as a possible ritual or commemorative function. Today, it remains an exceptional testimony of the artistic and cultural practices of prehistoric societies of the Western Mediterranean.
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