Crédit photo : Guiguilacagouille - Sous licence Creative Commons
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Timeline
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1600
1700
1800
1900
2000
1582
Installation of Jesuits
Installation of Jesuits 1582 (≈ 1582)
Arrival in Auch and foundation
1624-1628
Construction of the chapel
Construction of the chapel 1624-1628 (≈ 1626)
Directed by Guillaume Bauduer, consecrated in 1628
30 mai 1947
Registration MH
Registration MH 30 mai 1947 (≈ 1947)
Chapel protected by the Ministry
1971
Become a college
Become a college 1971 (≈ 1971)
Transformation into a public institution
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The chapel: inscription by decree of 30 May 1947
Key figures
Guillaume Bauduer - Architect
Designs the chapel (1624-1628)
Duran - Architect
Author of the stone altarpiece
Jean Bréaux - Marbling
Collaborate with the Eastern altarpiece
Origin and history
Salinis College, located in Auch in Gers, has its origins in the Jesuit installation in 1582. The latter began the construction of a chapel from 1624, completed and consecrated on 31 July 1628. The building is distinguished by its adorned gate, its arched stand diaphragm, and a stone altar signed by architect Duran and marbrier Jean Bréaux. The plan, sober and classic, combines a unique nave, a flat bedside choir and shallow side chapels.
The chapel, the historic heart of the monument, is listed as historical monuments by ministerial decree of 30 May 1947. Originally a Jesuit college, the building became a high school before adopting its current status as a public college in 1971. Its architecture reflects both the Jesuits' educational ambitions in the 17th century and the subsequent transformations of teaching in France.
Available sources, including Wikipedia and Monumentum, highlight the heritage importance of the site, while specifying its current address at 3 bis rue Édouard-Lartet. The property, belonging to the municipality of Auch, retains protected elements such as the altarpiece and the gate, testimonies of southern baroque art. Localization, noted as "passible" in databases, invites a finer exploration of its local history.
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