Imperial decree and commencement of work 1806 (≈ 1806)
Command of Napoleon I, first stone laid.
1810
Ephemeral model for Marie-Louise
Ephemeral model for Marie-Louise 1810 (≈ 1810)
Simulation in stucco for imperial marriage.
1836
Inauguration under Louis-Philippe
Inauguration under Louis-Philippe 1836 (≈ 1836)
Completion after 30 years of work.
1921
Burial of Unknown Soldier
Burial of Unknown Soldier 1921 (≈ 1921)
Symbol of the death of the Great War.
1980-2005
Major restorations
Major restorations 1980-2005 (≈ 1993)
Foundation comfort and structure.
2021
Packaging by Christo
Packaging by Christo 2021 (≈ 2021)
Posthumous work *The Arc de Triomphe, Wrapped*.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The Arc of Triumph: by order of 6 February 1896
Key figures
Napoléon Ier - Emperor, sponsor
Order construction in 1806.
Jean-François Chalgrin - Senior Architect
Designs the monument, inspired by the Roman arches.
François Rude - Sculptor
Author of *La Marseillaise* (1792).
Louis-Philippe - King, complete the project
Inaugurate the Arc in 1836.
Guillaume Abel Blouet - Architect, complete construction
Directs the work from 1832 to 1836.
Charles Godefroy - Bold pilot
Under the Arc by plane (1919).
Origin and history
The Arc de Triomphe de l'Étoile, commanded by Napoleon I in 1806 after the victory of Austerlitz, was originally to be erected in the Bastille. The project was moved to the Place de l'Étoile (now Charles de Gaulle Square) for budgetary and urban reasons. Architect Jean-François Chalgrin, inspired by Roman arches like Titus, designed a tetrapyle monument of 49.54 meters high, symbolizing French military glory. The first stone was laid on August 15, 1806, but the work, slowed down by wars and regime changes, was not completed until 1836 under Louis-Philippe.
The construction, marked by interruptions under the Restoration, was resumed in 1823 by Louis XVIII and then finalized by Louis-Philippe, who added a reconciliation dimension to it by honoring the armies from 1792 to 1815. The sculptors François Rude (with La Marseillaise) and Jean-Pierre Cortot (Le Triomphe de Napoléon) contributed to his allegorical decor. Inaugurated discreetly in 1836 due to an attack on the king, the Arc became a national place of memory, welcoming the tomb of the Unknown Soldier in 1921 and the flame of memory, revived daily since 1923.
The monument, classified in 1896, is a major urban landmark, located at the convergence of twelve avenues pierced under Haussmann. It was the scene of historical events, such as the parade of Nazi troops in 1940 or the liberation of Paris in 1944, and major restorations (1980s and 2003-2005) to stabilize its foundations, threatened by differential settlements. His sculptures, including bas-reliefs celebrating Napoleonic battles, and his 30 shields engraved with victory names, make him an open-air military pantheon.
The Arc also inspired daring exploits, such as Charles Godefroy's air trip in 1919, or ephemeral works such as Christo's packaging in 2021. A symbol of resistance (protests of 1940) and popular liesse (sports victory), it now embodies both the imperial heritage and the memory of modern conflicts. Its interior scenography, renovated in 2008, highlights its history through multimedia installations.
Structural disorders, caused by erosion of foundation mortars, necessitated injections of coulis (1980s) and prestressed pulls to stabilize the building. The works, led by architect Michel Marot, revealed a helical movement of the Arc, corrected by modern techniques. These interventions preserved this monument, which weighs 100,000 tons (including foundations) and remains a cultural landmark, as evidenced by its numerous philatelic representations since 1929.
Finally, the Arc de Triomphe is inseparable from commemorative rituals, such as the daily reviving of the flame or the 11 November ceremonies. His iconography, combining romantic allegories (Le Genie de la Guerre de Rude) and ancient references, reflects the political ambitions of his sponsors, from Napoleon to Louis-Philippe. Today, managed by the National Monuments Centre, it attracts millions of annual visitors, attracted by its panorama of Paris and its role in French history.
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