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Arc de triomphe de Montpellier dans l'Hérault

Patrimoine classé
Patrimoine urbain
Arc de triomphe
Hérault

Arc de triomphe de Montpellier

    Rue Foch
    34000 Montpellier

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1700
1800
1900
2000
1691
Construction of the arch
1694
Sculpture of bas-reliefs
1715
Commemorative inscription
1954
Historical monument classification
Aujourd'hui
Aujourd'hui

Key figures

Augustin-Charles d'Aviler - Architect Constructed the arch in 1691.
François II d'Orbay - Drafter Author of initial plans.
Philippe Bertrand - Sculptor Made the bas-reliefs in 1694.
Louis XIV - King of France The dedication of the monument.

Origin and history

The triumphal arch of Montpellier was built in 1691 by architect Augustin-Charles d'Aviler, according to the plans of François II d'Orbay. This monument, inspired by the Saint-Martin Gate in Paris, celebrates royal power and served as an entrance to the equestrian statue of Louis XIV. It marks access to Peyrou, an ancient fortified place transformed into an iconic walk.

With a height of 15 meters and a width of 18 meters, the arch was built with more than 120 m3 of stones extracted from the surrounding garrigues (Pignan, Saint-Jean-de-Védas). Four bas-reliefs, carved by Philippe Bertrand in 1694, illustrate themes glorifying the reign: the Canal du Midi, the struggle against heresy, and military victories. A 28-metre stone bridge now replaces the old drawbridge.

The Latin inscription on the arch commemorates the 72 years of reign of Louis XIV (1643–15), evoking the peace recovered after decades of war. Among the medallions, one represents the revocation of the edict of Nantes (1685), a controversial act that marked local and national religious history. The ensemble, classified as a historical monument in 1954 with the Peyrou Promenade, embodies classical architecture in the service of royal power.

Ordered by the province of Languedoc, the arch cost the city 11,850 pounds. Its location, at 52 meters altitude, made it a strategic point of the "common fence", former urban enclosure. Materials and style reflect local resources and Parisian influence, while serving as propaganda for the absolute monarch.

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