Confiscation of Abbatial Remains 1792 (≈ 1792)
Remains of the Abbey of Saint-Calais seized.
10 novembre 1889
Opening of the museum
Opening of the museum 10 novembre 1889 (≈ 1889)
By Charles Garnier, architect of the Opera.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Key figures
Charles Garnier - Architect
Open the museum in 1889.
Élie Cottereau - Naturalist and taxidermist
Donor of the natural history firm.
Gigault de la Bedollière - Rear Admiral and Traveller
Legue des collections coloniales.
Origin and history
The Library-museum of Conflans-sur-Anille, now located in Saint-Calais (Sarthe), was inaugurated on November 10, 1889 by Charles Garnier, famous architect of the Paris Opera and native of the region. This ambitious project aimed to bring together several communal institutions under one roof: a city hall, a theatre with Italian style, and a library museum combining popular knowledge and scholarship. The museum was distinguished by its triple vocation: teaching art through ministerial shipments and private donations, preserving local history through the remains of the Benedictine Abbey of Saint-Calais (confiscated in 1792), and exhibiting collections of natural history, especially in zoology and botany, from local scholars.
Among the museum's major assets are the Natural History Cabinet Élie Cottereau, enriched by the taxidermy and botanical skills of its donor, as well as the Gigault de la Bedollière Travel Office. The latter, bequeathed by a rear admiral who had commanded the Far East squadron, brought together colonial objects and trophies from Asia, West Africa and the Americas. The museum also houses remarkable pieces such as the "Sudaire de Saint-Calais", Roman mosaics, 19th-century paintings and sculptures, as well as medieval art objects.
A second departmental museum after Le Mans, this place is distinguished by its encyclopedic approach, mixing fine arts, ethnology, natural sciences and local heritage. Its building, designed to centralize cultural and administrative life, reflects the educational and civic ambitions of the Third Republic. Today labeled Museum of France, it preserves eclectic collections, testifying to both regional history and exchanges with distant regions, thanks to the bequests of travelers and local scientists.