Logo Musée du Patrimoine

All French heritage classified by regions, departments and cities

Blangy Hotel in Caen dans le Calvados

Patrimoine classé
Patrimoine urbain
Hotel particulier classé
Calvados

Blangy Hotel in Caen

    Hôtel de Blangy
    14000 Caen
Hôtel de Blangy à Caen
Hôtel de Blangy à Caen
Hôtel de Blangy à Caen
Hôtel de Blangy à Caen
Hôtel de Blangy à Caen
Crédit photo : Karldupart - Sous licence Creative Commons

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1700
1800
1900
2000
vers 1710
Construction of hotel
1756–1789
Charge of large baili
1789
Nobility States
1816
Sale of the hotel
1908
City acquisition
1944
Bombardments
1958
Destruction of the wing on the street
2002–2003
MH protections
Aujourd'hui
Aujourd'hui

Heritage classified

Fronts and roofs (KS 65): inscription by decree of 29 August 2002 - The two lounges on the first floor with their decor; the staircase with its cage (cad. KS 65): classification by decree of 21 November 2003

Key figures

Pierre François Le Viconte, baron de Blangy - Sponsor Have the hotel built around 1710.
Pierre-Marie-Maximilien Le Viconte - Grand baili de Cotentin Son of the sponsor, serving from 1756 to 1787.
Marie-Pierre-Maximilien Le Viconte, marquis de Blangy - Last big baili Grandson of the sponsor, posted until 1789.
Charles-Joseph Natoire - Painter Author of the Allegories of the Grand Salon.
Frères Martin - Artisans-decorators Suspected authors of the Chinese factories.

Origin and history

The Hotel de Blangy, also known as Hotel Marcotte, is a private hotel built in the early eighteenth century in the Saint John district of Caen. Commanded around 1710 by Pierre François Le Viconte, Baron de Blangy, he was erected by an architect named Blondel (unspecified). The building, made of Caen stone, is organized into three wings around a courtyard, with a large garden. Its facades and roofs, representative of classical urban architecture, have been listed as historical monuments since 2002. The living rooms on the first floor and the staircase, remarkable for their interior decoration (chinoiseries, allegorical paintings), have been classified since 2003.

The family Le Viconte de Blangy, of chivalry origin and close to the courtyard, kept the hotel until 1816. The sponsor's son and grandson were responsible for Cotentin's grand baili between 1756 and 1789. The Marquis de Blangy also participated in the States of the nobility of Caen in 1789 for the General States. The hotel then passed into the hands of several owners, including Madame Labbey de la Roque (1816) and the Marcotte family (1858), before being acquired in 1908 by the Caen charity office. Transformed into a dispensary, crèche and aerium, he suffered damage during the Battle of Caen in 1944.

The interior architecture is distinguished by its two living rooms on the first floor. The Grand Salon, decorated with Chineseware inspired by the Shanshui but adapted to French taste, presents six panels attributed to the workshops of the Martin brothers. These works, restored in 1970 and then in 2000, combine reliefs in paper pulp, gilding and painting under a characteristic varnish (Martin varnish). The allegorical decor, including paintings by Charles-Joseph Natoire and Jean-Baptiste Monnoyer, celebrates the arts (History, Poetry, Painting). The staircase, with its wrought iron guard with interlaced motifs of "F" (for Blange), completes this classified set.

In the 20th century, the hotel lost part of its architectural unit. The street wing was destroyed in 1958 to build a retirement home (Victor Priout home), while the backyard building was demolished in 1970 for an administrative annex. Despite these modifications, the main house body retains its classic three-span facade, with a curved pediment and Mansart skylights. Subsequent reconstructions (1970s) attempt to partially harmonize with the original style, in particular with classical skylights on the new wing.

Today, the Blangy hotel remains the property of the CCAS in Caen. Although partially altered, it reflects the aristocratic art of living of the eighteenth century in Normandy, combining Oriental influences and French tradition. Its interior decorations, protected, offer a rare example of preserved Chineseware in situ, while its history reflects the social and urban changes of Caen, from the Ancien Régime to Reconstruction.

External links