Crédit photo : Florian Fernandez - Sous licence Creative Commons
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Timeline
XIXe siècle
Époque contemporaine
1900
2000
1898
Purchase of domain
Purchase of domain 1898 (≈ 1898)
Guillaume Mallet acquired the wild valley.
1898–1946
Creation of the domain
Creation of the domain 1898–1946 (≈ 1922)
Construction of the mansion and developments by Lutyens and Jekyll.
1970
Open to the public
Open to the public 1970 (≈ 1970)
First French private garden visitable.
2004
Label Remarkable Garden
Label Remarkable Garden 2004 (≈ 2004)
Lost in 2024 for access restrictions.
11 décembre 2009
Historical Monument
Historical Monument 11 décembre 2009 (≈ 2009)
Total protection of the domain.
2019
Change of ownership
Change of ownership 2019 (≈ 2019)
Purchased by Jérôme Seydoux.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The entire domain (cad. AB 216, 217, 242, 380, 382, 384 to 387, 389, 390, 398, 484, 474): classification by decree of 11 December 2009
Key figures
Guillaume Mallet - Owner and patron
Domain sponsor, theosophist.
Marie-Adelaïde Grunelius - Wife of Guillaume Mallet
Co-founder of the family project.
Edwin Lutyens - Architect
Author of the mansion, figure of the Arts & Crafts*.
Gertrude Jekyll - Landscape
Creator of structured gardens.
Jiddu Krishnamurti - Indian Philosopher
Friend of the Mallet, theosophical figure.
Jérôme Seydoux - Current Owner
Buyer in 2019, renovator of the site.
Origin and history
Le Bois des Moutiers is a 12 hectare estate located in Varengeville-sur-Mer (Seine-Maritime, Normandy), acquired in 1898 by Guillaume Mallet, a Protestant banker, and his wife Marie-Adelaïde Grunelius. This wild site along the cliffs of the coast of Alabaster, frequented by artists such as Monet, Picasso or Debussy, becomes their project of life: creating a total work mixing architecture, gardens and theosophical philosophy. They entrust the design to British architect Edwin Lutyens (29 years old) and landscape designer Gertrude Jekyll, major figures of the Arts & Crafts movement. Their collaboration aims at a perfect harmony between the house, the gardens structured in "chambres de verdure", and the park descending to the sea, where are alongside exotic species and local flora.
Guillaume Mallet, inspired by his stay in England and his theosophical convictions, imagines the domain as a "core of universal brotherhood" and a place of spiritual awakening. The manor, built in the Arts & Crafts style, incorporates geometric symbols (gold number, numbers 2, 3, 7) and noble materials, while the gardens, designed as an initiatory journey, interact with the interiors. The park, built in clay valley, juxtaposes organized nature and wild vegetation, with imported trees (Atlas cedars, Japanese maples) naturalized in acidic soil. The estate attracts an artistic and intellectual elite, including Proust, Gide, Cocteau, or Indian philosopher Jiddu Krishnamurti, close to the Mallet.
Ranked a Historical Monument in 2009 after a first partial protection in 1975, Le Bois des Moutiers is the first French private garden open to the public in 1970. Labeled a remarkable garden in 2004 (lost since 2024 for accessibility reasons), it is sold in 2019 to Jérôme Seydoux after more than a century in the Mallet family. The visits, suspended between 2019 and 2024 for renovation, resume in May 2024 by reservation, with a guided tour of 1h15. The estate illustrates the legacy of the Arts & Crafts movement and the utopia of a life in harmony with art and nature.
The history of the place is marked by key figures: Edwin Lutyens, author of the mansion and future architect of New Delhi, Gertrude Jekyll, pioneer of the English gardens, and the Mallet, patrons and theosophers. Their vision transcends religious or social divisions, as evidenced by the pre-Raphaelite influences (Rossetti, Burne-Jones) and the principles of William Morris ("what is useful is beautiful"). After World War II, the damaged estate was restored by the heirs. In 2019, its sale ensures its sustainability, while limiting access to preserve its integrity.
The gardens, organized in seven levels around the house, play on colors, fragrances and perspectives to create distinct "atmospheres". The park, conceived as a living art work, uses the changing light of the Normandy coast to animate its plant compositions. The Mallet saw it as a place of inner transformation, where man and nature are one, according to the theosophical ideal. Today, the Bois des Moutiers remains a rare testimony of the alliance between architecture, landscape and spirituality, while adapting to contemporary conservation constraints.
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