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Building à Bordeaux en Gironde

Gironde

Building

    44 Quai Richelieu
    33000 Bordeaux
Crédit photo : Davitof - Sous licence Creative Commons

Timeline

Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1700
1800
1900
2000
1729
Gabriel's initial projects
1731
Construction of Customs wharf
1746
Agreement for a uniform wharf
1748
Completion of the monumental perspective
14 avril 1951
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

The façade and the roof (Case R 281): inscription by decree of 14 April 1951

Key figures

Jacques Gabriel - Architect Author of initial projects (1729) and wharf.
Ange-Jacques Gabriel - Architect Collaborates to the monumental perspective (1748).
Claude Boucher - Host Obtain the agreement for the wharf in 1746.
Aubert de Tourny - Project Initiator Restart construction after Boucher.

Origin and history

The idea of a royal square and a uniform facade along the banks of the Garonne has gradually emerged. In 1729, the architect Jacques Gabriel proposed three projects, including that of the Quai de la Douane, carried out in 1731. This wharf and its facades bordering the river mark a first step towards a coherent architectural ordinance, combining ground floor with arcades, two square floors and a Mansard attic.

In 1746 the intendant Claude Boucher obtained the agreement of the jurats for the creation of a quay, but it was under the impulse of Aubert de Tourny, after Boucher's death, that the project began to flourish. With Ange-Jacques Gabriel, son of Jacques Gabriel, the monumental perspective was completed in 1748. It extends the Place Royale (now the Place de la Bourse) and imposes a homogeneous style: arches in the middle of the hanger, carved windows, and wrought iron balconies, partially preserved despite subsequent transformations.

The facades, classified as Historic Monument in 1951 for their roof and structure, illustrate the 18th century urban ambition in Bordeaux. Their arcade base initially provided commercial activity, although some were altered by later developments. The sculpted motifs and the original larmies still bear witness to the decorative richness of this architectural ensemble, designed to magnify the river and the city.

External links