Construction of calvary 2e moitié du XVIe siècle (≈ 1650)
Period of construction in the Breton Leon.
1895
Major restoration
Major restoration 1895 (≈ 1895)
Statuary returned in its entirety.
25 mars 1997
MH classification
MH classification 25 mars 1997 (≈ 1997)
Registration for historical monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Calvary A 209, 210): registration by order of 25 March 1997
Key figures
Roland de Neufville - Bishop of Leo (1562–1613)
Episcopate period related to the development of the ordeals.
Origin and history
The calvary of the chapel Sainte-Catherine de Mespaul, located in the Finistère department in Brittany, dates from the second half of the sixteenth century, a period marked by an active production of this type of monuments in the region, especially in Leo. This calvary is distinguished by its almost entirely preserved status, thanks to a restoration carried out in 1895. His artistic style is part of the course of the Breton Renaissance, with notable, though unreplicated, influences from the Calvary of Saint-Herbot to Plonévez-du-Faou. The work bears witness to the know-how of the local imaginers of the time, under the episcopate of Roland de Neufville (1562–1613).
The monument was listed as historic monuments by order of 25 March 1997, thereby recognizing its heritage and artistic value. The restoration of 1895, described as respectful, restored the integrity of the statuary, offering a rare example of Breton calvary of this period. Comparisons with other works, such as that of Plonévez-du-Faou, underline its originality, notably by its more marked anchor in the reborn aesthetic canons. Today, Calvary remains a major testimony of Breton religious art of the late 16th century.
Located in Mespaul (code Insee 29148), on the territory of the commune, the Calvary is located 8 Rue de Kergudon. It belongs to the municipality and is one of the protected elements of the Finnish heritage. Its location, noted as poor in accuracy (level 5/10), reflects the limitations of available geographic data. Despite this, the monument continues to attract attention for its link with the religious and artistic history of Leon, a sub-region historically marked by a strong cultural and religious identity.
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