Construction of the chapel XVIe siècle (≈ 1650)
Foundation by Bertrand de Quifistre, Lord of Trémouar.
2e moitié du XVIIe siècle
Adding wall paintings
Adding wall paintings 2e moitié du XVIIe siècle (≈ 1750)
Interior decoration after construction.
9 décembre 1929
Registration for Historic Monuments
Registration for Historic Monuments 9 décembre 1929 (≈ 1929)
Official protection of the building and its elements.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapelle de Kercohan (Box C 230): inscription by order of 9 December 1929
Key figures
Bertrand de Quifistre - Lord of Trémouar
Presumed founder of the chapel in the 16th century.
Famille Quifistre - Local Lords
Blazons visible on the gables of the apse.
Origin and history
The Notre-Dame-du-Bon-Secours chapel, located at Kercohan in Berric (Morbihan), is a 16th century religious building. It has been listed as a historical monument since December 9, 1929. Its architecture combines Renaissance elements, including a three-sided apse and decorated pinacles, while its apparatus is entirely granite. The coats of arms of the Quifistre, local lords, adorn the gables of the apse, surrounded by the necklace of Saint-Michel, and a coat of arms in Breton proclaims: "Ann Itrun-Varia a wir sikour Kercohan" (Notre-Dame du Bon-Secours).
The chapel is said to have been founded by Bertrand de Quifistre, lord of Tremouar, whose nearby castle bears witness to the local influence of this family. The rectangular plane includes a nave and a choir connected by a large arcade carried by columns. The murals, added in the 17th century, enrich the interior, while the annual fairs (16 April and 25 May) highlight its central role in community life. The buttresses of the choir, cushioned with pinacles, contrast with those of the nave, remained unfinished.
The chapel, owned by the municipality of Berric, illustrates Breton religious heritage, mixing medieval heritage and Renaissance influences. Its name in Breton and its coat of arms recall the links between local nobility and Marian devotion, typical of 16th century Brittany. The buttocks and cabbages carved on the rampants, as well as the buttocks of the pinnacles, reflect a neat craft, characteristic of the seigneurial chapels of the time.
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