Initial construction Seconde moitié du XVIe siècle (≈ 1675)
Period of construction of the chapel.
1735
Date engraved on façade
Date engraved on façade 1735 (≈ 1735)
Metal anchors with dated inscription.
30 juillet 1973
Registration MH of the bell tower
Registration MH of the bell tower 30 juillet 1973 (≈ 1973)
Protection for historical monuments.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The chapel of penitents of Forville, located 39, chemin de Forville, in full (cad. AC 121): inscription by order of 24 March 2015.
Key figures
Information non disponible - No character cited
The source text does not mention any historical actors.
Origin and history
The chapel of the Black Penitents of Briançon, located in the Hautes-Alpes department in the Provence-Alpes-Côte d'Azur region, is a religious building dating back to the second half of the sixteenth century. It is distinguished by a sober architecture, with a nave of two spans and a vaulted choir, complemented by a square bell tower with a campanile decorated with gemini windows. Its history is marked by a notable transformation: in the 20th century, it was converted into a cinema under the name Le Foyer, before being abandoned. Today unoccupied, it preserves traces of this period, such as the inscription Cinema Le Foyer on its northern facade, as well as metal anchors dating from 1735.
The bell tower, an emblematic element of the chapel, was listed as a historical monument on 30 July 1973, recognizing its heritage value. The building also features architectural features, such as a small appentis to the north and an imperial roof topped by a bell tower. Inside, only two sculpted caps remain, testifying to the original decoration. The chapel illustrates the evolution of the uses of religious buildings, moving from a place of penance to a cultural space, before falling into disuse.
The chapel is located 7 rue du Pont-d'Asfeld in Briançon, in an area marked by the history of the brotherhoods of penitents, very active in the Southern Alps in the 17th and 18th centuries. These brotherhoods, often linked to practices of collective devotion, played a major social and spiritual role in local communities. The building, owned by the municipality, thus reflects both the religious heritage and the modern adaptations of an ancient heritage, now waiting to be developed.