Timeline

Origin and history

The house at Place Notre-Dame in Josselin is an emblematic building of Breton architectural heritage. Although its initial period of construction is indicated as the 15th century in some sources, historical analyses indicate that it was actually built in the late 16th or early 17th century. This shift underlines the importance of cross-checking data to accurately date ancient monuments. Its style reflects the architectural influences of the late Renaissance, a period of transition between the Middle Ages and the modern era in Brittany.

Over the following centuries, the house has undergone several major work campaigns. It was enlarged and restored in the 19th and 20th centuries, adapting its use to the changing needs of the city. These changes, while modernising, have preserved the characteristic elements of its original structure, including its facades and roofs. The latter, recognized for their heritage value, were protected by a registration order under the Historic Monuments on 17 April 1931, guaranteeing their conservation for future generations.

The location of the house, at the corner of Notre Dame Square and Olivier-de-Clisson Street, makes it a privileged witness to the urban history of Josselin. This square, often lively, was historically a place of assembly and commerce, reflecting the central role of bourgeois houses in the social and economic life of the city. Today, its exact address remains subject to approximations, as evidenced by the differences between cadastral data and GPS coordinates, highlighting the challenges of precise location of ancient monuments.

The classification of the house as a Historical Monument highlights its importance in the architectural landscape of Josselin, a city marked by its medieval castle and religious heritage. Although the sources do not mention famous characters related to this building, its official inscription attests to its cultural value. The facades and roofs, protected elements, illustrate the construction techniques and decorative styles in vogue at the hinge of the sixteenth and seventeenth centuries, period of artistic renewal in Brittany.

Practical information about access to this house remains limited. Available sources do not specify whether the building is open to the public, rented for events, or converted into guest rooms. This lack of detail underscores the need for further research to fully value this heritage. Nevertheless, its presence in the Merimée base and on platforms like Monumentum ensures minimal visibility, encouraging its preservation and in-depth study.

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