Cathedral (Box BO 1) : classification by list of 1862
Origin and history
Sainte-Croix d'Orléans Cathedral, in the Loiret department, is an emblematic monument of French religious heritage. Dedicated to the Holy Cross, it has been the seat of the bishopric of Orleans since the fourth century, although its exact origins remain tainted by hagiographic legends. Two founding tales clash: the Life of Saint Euverte (IXth century) attributes its foundation to Bishop Euverte, miraculously appointed by a dove, while the Great Passion of Auxerre (XI century) binds it to the apostolic disciples Savinian and Altin, evangelizers of Gaul.
The first archaeological traces attest to an ecclesia from the fourth century, mentioned by Gregory of Tours in the sixth century. The Romanesque cathedral, rebuilt after the fire of 989 under the impulse of Bishop Arnoul and King Hugues Capet, included a simple nave with low sides, a transept, and a choir to walk. It was the scene of major events, such as Robert Le Pieux's sacre in 987 or the stake of the heretics of Orleans in 1022, the first medieval autodafé. The 8th century Carolingian coins, struck by Sancta Crux Aurelianis, confirm its old name.
The transition to Gothic began in 1278, after the partial collapse of the Romanesque cathedral. Inspired by Our Lady of Amiens, the new nine chapel bedside was completed in the 14th century, despite the interruptions associated with the Hundred Years' War. In 1568, the Huguenots blew up the pillars of the transept cross, destroying much of the building. Only the absidial chapels, the choir walls, and two Gothic spans of the nave survived.
The reconstruction, launched in 1601 under Henry IV, sized over two centuries. The choir was completed in 1623, followed by transepts (1636–90), marked by the classical influence of Louis XIV, whose motto Nec pluribus impar adorns the southern rose. Architects Étienne Martellange and Jacques V Gabriel shaped a hybrid building, mixing flamboyant Gothic and classicism. The western facade, begun in 1739, was not completed until 1829, under Charles X, to commemorate the 400th anniversary of the raising of the siege of Orléans by Joan d'Arc.
Ranked a historic monument in 1862, the cathedral suffered damage during the two world wars: collapse of the vaults in 1904, shelling in 1940 and 1944 (damaging the bells, including the bumblebee rebuilt in 2012). Archaeological excavations, notably those of Georges Chenesseau (1937–42), revealed the remains of the Romanesque choir and Gallo-Roman substructions, fuelling debates on the location of the early basilica of Saint Euverte. Today, it houses a large Cavaillé-Coll organ and modern stained glass windows, while remaining a symbol of Orléanian resilience.
Joan of Arc attended a Vesperal Mass on 2 May 1429 during the siege of the city. Each year, the Johannic Festival celebrates this episode on its parvis, where a solemn ceremony commemorates the presentation of the standard. The 143-metre-long cathedral dominates the city with its two 81-metre towers and its 114-metre central arrow, rebuilt in the 19th century. Its history, marked by destruction and rebirth, reflects the political and religious upheavals of France.
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