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Saint-Étienne d'Auxerre Cathedral dans l'Yonne

Patrimoine classé
Patrimoine religieux
Cathédrale
Eglise romane et gothique
Yonne

Saint-Étienne d'Auxerre Cathedral

    Place de la Cathédrale
    89000 Auxerre
Cathédrale Saint-Étienne dAuxerre
Cathédrale Saint-Étienne dAuxerre
Cathédrale Saint-Étienne dAuxerre
Cathédrale Saint-Étienne dAuxerre
Cathédrale Saint-Étienne dAuxerre
Cathédrale Saint-Étienne dAuxerre
Cathédrale Saint-Étienne dAuxerre
Cathédrale Saint-Étienne dAuxerre
Cathédrale Saint-Étienne dAuxerre
Crédit photo : Free On Line Photos - Sous licence Creative Commons

Timeline

Haut Moyen Âge
Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1000
1100
1200
1300
1400
1500
1600
1700
1800
1900
2000
1023
Fire of the Romanesque Cathedral
1215
Beginning of Gothic Cathedral
1235
Completion of the Gothic choir
1300–1320
Construction of the southern cruise
1543
Completion of the North Tower
1567
Sacking by Protestants
1790
Transformation into the Temple of Reason
1840
Historical Monument
2001
Beginning of contemporary restorations
Aujourd'hui
Aujourd'hui

Heritage classified

Cathedral (old) , currently church Saint-Etienne : ranking by list of 1840

Key figures

Guillaume de Seignelay - Bishop of Auxerre (early 13th century) Launches the Gothic construction in 1215.
Henri de Villeneuve - Bishop (1220–1234) Supervises the completion of the choir.
Jacques Amyot - Bishop (1571–1593) Restore the cathedral after 1567.
François Ier de Dinteville - Bishop (1513–1530) Finances the North Tower and Renaissance Jube.
Eugène Viollet-le-Duc - Architect (11th century) Restores the crypt (1844–48).
Germain Michel - Master glassmaker (XVI century) Author of the North Rose (1528).

Origin and history

The Saint-Étienne Cathedral of Auxerre, located in the Yonne in Burgundy-Franche-Comté, is a Gothic building whose construction was built from the 4th quarter of the 11th century to the 16th century. It succeeds four earlier sanctuaries, including an 11th century Romanesque church destroyed by a fire in 1023, whose crypt today remains. The Gothic building began in 1215 under the impetus of Bishop William of Seignelay, but the works, slowed down by wars (Cent Years, Religion) and financial problems, spread over more than three centuries. The nave, the choir (completed around 1235), and the stained glass windows of the walk-in (12th century) illustrate this slow stylistic evolution, mixing primitive Gothic, radiant and flamboyant.

The construction site was marked by key phases: the installation of the stained glass windows of the walkway (1250), the construction of the transept's southern crusillon (1300–1320), and the late completion of the north tower (1543), the only one completed in the two planned towers. The Wars of Religion (1567) damaged the building, including its statuary and glass windows, partially restored under Bishop Jacques Amyot (1576). The Revolution (1790) transformed the cathedral into a Temple of Reason, destroying furniture and silverware, but saving the stained glass windows, too expensive to replace. Ranked a Historical Monument in 1840, it benefited from major restorations in the 19th and 20th centuries, notably by Viollet-le-Duc (1844–48) for the crypt.

The architecture of Saint-Étienne reflects these historical strata: a gothic lanceolate choir (XIIIth century), a radiant nave (XIVth century), and flamboyant facades (XVIth century). His stained glass windows (XIIIth–XVIth centuries), among the best preserved in France with those of Chartres, narrated biblical scenes and the lives of saints. The Romanesque crypt (11th century), with enigmatic frescoes (Christ rider, angels), and the unique north tower (68 m), symbolize this composite heritage. The treasure, the organs (XIXth century), and the bells (XIXth century) complete this ensemble, still in restoration since 2001.

The cathedral is part of a medieval canonial complex, including the former Church of Notre-Dame-de-la-Cité (IIIth century), the Episcopal Palace (now prefecture), and canonical houses (XVth-15th centuries). This neighborhood, religious and political heart of Auxerre, illustrates urban evolution around episcopal power. The revolutionary destructions and subsequent restorations preserved this major testimony of the Burgundian sacred art, where are mixed Parisian influences (rosaces, portals) and local particularisms (vitrals, statuary).

External links

Equipment and Details

  • Accès handicapé
  • Animaux non admis
  • Parking à proximité