Construction of chapel and calvary XVIe siècle (≈ 1650)
Period of initial construction and realization of the calvary.
XVIIe siècle
Continuation of work
Continuation of work XVIIe siècle (≈ 1750)
Completion or alteration of the building.
21 novembre 1989
Historical monument classification
Historical monument classification 21 novembre 1989 (≈ 1989)
Registration of the chapel, the calvary and the portal.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapel; Renaissance portal of the old church at the entrance to the cemetery; 16th century calvary in the cemetery (cad. AB 3, 5): inscription by decree of 21 November 1989
Origin and history
The Notre-Dame de Montéglise Chapel is a Catholic religious building located in the commune of Barenton, in the department of Manche in Normandy. Built between the 16th and 17th centuries, it embodies the religious architecture of this period, marked by Renaissance influences, especially visible in its entrance gate. The building is closely linked to local history, as evidenced by the classified elements that it houses, including statues of Virgin and Child dating from the 14th, 15th and 16th centuries.
The site also includes a 16th-century calvary and the Renaissance portal of the old church, both located in the immediate vicinity of the chapel, in the communal cemetery. These elements, listed as historical monuments by order of 21 November 1989, underline the heritage importance of the site. The chapel, owned by the municipality of Barenton, thus preserves furniture and structures that reflect both Marian devotion and the evolution of artistic styles between the late Middle Ages and modern times.
In Normandy of the 16th and 17th centuries, chapels like Notre-Dame de Montéglise played a central role in community life. They served as places of prayer, pilgrimage and gathering, often associated with local Marian worship. Their construction and beautification reflected both the piety of donors and the social and economic dynamics of the era, in a region then marked by the wars of Religion and progressive reconstruction.
The classified furnishings of the chapel, including representations of the Virgin and Child, illustrate the continuity of medieval iconographic traditions while integrating stylistic innovations of the Renaissance. These works, often sponsored by noble families or local brotherhoods, bear witness to the importance attached to the interior decoration of places of worship. Their preservation until today offers a valuable insight into the religious and artistic practices of the Ancien Régime Normandy.
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