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Chapel of Assouste à Eaux-Bonnes dans les Pyrénées-Atlantiques

Pyrénées-Atlantiques

Chapel of Assouste

    32 D'Assouste
    64440 Eaux-Bonnes
Chapelle dAssouste
Chapelle dAssouste
Chapelle dAssouste
Chapelle dAssouste
Chapelle dAssouste
Chapelle dAssouste
Chapelle dAssouste
Chapelle dAssouste
Chapelle dAssouste
Chapelle dAssouste
Chapelle dAssouste
Chapelle dAssouste
Chapelle dAssouste
Chapelle dAssouste
Chapelle dAssouste
Crédit photo : Emeltet - Sous licence Creative Commons

Timeline

Moyen Âge central
Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1200
1300
1900
2000
XIIe siècle
Construction of the chapel
10 août 1923
Historical Monument
Aujourd'hui
Aujourd'hui

Heritage classified

Chapelle d'Assouste : classification by order of 10 August 1923

Key figures

Information non disponible - No characters cited in the sources The available archives do not mention any historical actors related to this monument.

Origin and history

The chapel of Assouste, located in Eaux-Bonnes in the Pyrénées-Atlantiques, is a 12th century religious building. It is distinguished by its unique vessel ended with a semicircular bedside vaulted in cul-de-four, typical of Romanesque architecture. Access is via a south side portal, framed by two cylindrical columns decorated with carved capitals, showing remarkable craftsmanship for the time.

Classified as a Historical Monument by order of 10 August 1923, the chapel today belongs to the town of Eaux-Bonnes. Its location, noted as 'passable' (level 5/10) in databases, suggests an isolated or difficult to access position, reinforcing its mysterious character. Available sources, such as Monumentum, highlight its heritage importance without specifying its current use (visits, worship, etc.).

The twelfth century in Aquitaine, the period of construction of the chapel, corresponds to an era of religious and architectural dynamism. Romanesque churches, such as Assouste, served as places of worship but also as community landmarks in often rural or mountainous areas. Their carved decoration, though modest here, reflected regional artistic influences and local beliefs, mixing Christian symbols and traditional patterns.

External links