Construction and processing XVe - XVIe siècles (≈ 1650)
Oratory built, jube added later.
1734
Replacing portals
Replacing portals 1734 (≈ 1734)
Wooden gates changed this year.
1875
Destruction by lightning
Destruction by lightning 1875 (≈ 1875)
Clocher destroyed, windows broken during a storm.
18 août 1928
Historical monument classification
Historical monument classification 18 août 1928 (≈ 1928)
Chapel protected by ministerial decree.
1930
Restoration of stained glass windows
Restoration of stained glass windows 1930 (≈ 1930)
Stained glass offered by Sir Robert Mond.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapel: classification by decree of 18 August 1928
Key figures
Sir Robert Mond - Patron
Dona the stained glass in 1930.
Lady Mond - Patron
Associated with the gift of stained glass.
Artiste anonyme - Sculptor of the Jube
Author of sculptures (late 15th-early 16th).
Origin and history
The chapel of Locmaria, located in Belle-Isle-en-Terre in the Côtes-d'Armor, is an oratory built between the 15th and 16th centuries. Its irregular plan, marked by the subsequent addition of a low side, reveals architectural transformations. The exterior is distinguished by a turret, bell towers and gables, while the interior is home to a panelled frame and a wooden jube, supported by four columns decorated with pamps and clusters of grapes. This jube, executed in the late 15th or early 16th century, is stylistically related to that of Kerfons, attributed to the same artist.
According to tradition, this chapel would be linked to a monastery of Templar monks and was known as Notre-Dame de Pendreo (Notre-Dame de la Coqueluche). The faithful came to pray for the healing of children with this deadly disease before going to a nearby miraculous fountain. A window near the high altar illustrates this belief. The chapel, classified as a historic monument in 1928, suffered major damage in 1734 (replacement of gates) and in 1875 (destructing the bell tower by lightning), before a partial restoration in the 20th century, including the gift of stained glass by Sir Robert Mond in 1930.
The building, owned by the municipality, is now freely accessible. His jube, a master piece decorated with seven angels wearing banners, bears witness to Breton religious art of the Renaissance. The sculptures, of great finesse, reflect a Marian devotion rooted in local practices, where pilgrimages and vows occupied a central place. The chapel thus embodies both an artistic heritage and a collective memory linked to medieval and modern beliefs.
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