Initial construction XIIIe siècle (≈ 1350)
Foundation of the Conventual Chapel.
XVe siècle
Decorative additions
Decorative additions XVe siècle (≈ 1550)
Decors in the choir and modifications.
5 décembre 1984
Historical Monument
Historical Monument 5 décembre 1984 (≈ 1984)
Official protection of the building.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapelle des Cordeliers (former) (case AL 59): Order of 5 December 1984
Key figures
Information non disponible - No character cited
The source text does not mention any specific historical actors.
Origin and history
The Chapel of the Cordeliers of Parthenay, classified as a Historic Monument, was dependent on the former convent of the Cordeliers. Dated mainly from the 13th century, it incorporates elements of the 15th century and a Renaissance chapel. The original vaults remain, while the west gable wall has been rebuilt. The wall partially preserves the networks of a lost bay, and the 15th century decorations, visible in the old choir, include a swimming pool and open doors. The Renaissance Chapel houses a retable of that time, a witness to its architectural evolution.
The building, located at 111 boulevard de la Meilleraye, was classified by order of 5 December 1984. Owned by the commune of Parthenay (code Insee 79202), it illustrates the religious and artistic heritage of the Cordeliers, a beggar order established in the region. The successive transformations (XV and Renaissance) reflect the adaptations of the place throughout the centuries, although its exact location is considered "passible" (note 5/10) according to available sources.
The Cordeliers, or Minor Brothers, played a central role in medieval spiritual and social life. Their convent, often located on the outskirts of cities such as Parthenay, served as a place of prayer, a place of welcome for pilgrims and a centre of assistance for the poorest. The chapel, the heart of this complex, symbolized both collective piety and local patronage, as evidenced by its decorations and Renaissance altarpiece, probably funded by wealthy donors from the region.
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