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Timeline
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1700
1800
1900
2000
XVe–XVIe siècle (fin)
Construction of the chapel
Construction of the chapel XVe–XVIe siècle (fin) (≈ 1684)
Initiated by the Boutteville family.
17 septembre 1973
Historical monument classification
Historical monument classification 17 septembre 1973 (≈ 1973)
Inscription of the chapel as a monument.
22 mars 1974
Classification of the statue
Classification of the statue 22 mars 1974 (≈ 1974)
Statue of Saint Gildas classified.
1994
Installation of stained glass
Installation of stained glass 1994 (≈ 1994)
Vitro by Mickaël Messonnet.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
Chapelle Notre-Dame de la Pitié (Box B 94): inscription by order of 17 September 1973
Key figures
Famille de Boutteville - Founding Lords
Possessors of the seigneury of Coat Couraval.
Mickaël Messonnet - Craft glassware
Author of contemporary stained glass (1994).
Origin and history
The chapel Notre-Dame-de-la-Pitié de Mellionnec, located near the Nantes Canal in Brest in the Côtes-d'Armor, is a 16th century religious building. Built of granite-cut stone, it has a rectangular plane and a marked gradient between the west and the bedside, reinforced by foothills. Its architecture is characteristic of central Brittany, with rampants decorated with sleek cabbage leaves and sculpted sitting stones of real or fabulous animals. The Boutteville coat of arms, the founding lords, is visible above the west gate and on the bell tower, attesting their role in its construction.
Inside, the chapel houses a single vessel covered with a carved entrance structure and a crib panel with ground ribs. An ancient stand and a statue of Saint Gildas in painted wood, classified as a historical monument in 1974, are preserved there. The axial glass, adorned with a contemporary window by Mickaël Messonnet (1994), completes this ensemble. The chapel, inscribed in historical monuments since 1973, reflects the influence of the local lords and the Breton crafts of the period.
The chapel is dedicated to Notre-Dame de Pitié and Saint Gildas, suggesting a link with religious traditions and local legends. Its location near the canal and its robust structure, supported by four biased foothills, testify to an adaptation to the terrain and a desire for sustainability. The decorative elements, such as expressive engulfing and sculpted pendant keys, highlight the know-how of 16th century artisans, while integrating heraldic and religious symbols specific to the region.
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