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Notre-Dame-du-Chêne Chapel of Blotzheim dans le Haut-Rhin

Patrimoine classé
Patrimoine religieux
Chapelle gothique
Clocher en bâtière
Haut-Rhin

Notre-Dame-du-Chêne Chapel of Blotzheim

    Rue de la Chapelle
    68730 Blotzheim
Chapelle Notre-Dame-du-Chêne de Blotzheim
Chapelle Notre-Dame-du-Chêne de Blotzheim
Chapelle Notre-Dame-du-Chêne de Blotzheim
Crédit photo : Rauenstein - Sous licence Creative Commons

Timeline

Bas Moyen Âge
Renaissance
Temps modernes
Révolution/Empire
XIXe siècle
Époque contemporaine
1500
1600
1700
1800
1900
2000
1494
Construction of the bell tower
1629
Reconstruction of the nave
1685–1712
Trial and reconstruction of the choir
1740
Consecration of the chapel
1843
Installation of the organ Callinet
1986
Registration for historical monuments
2006
End of modern restorations
Aujourd'hui
Aujourd'hui

Heritage classified

Chapelle Notre-Dame du Chêne, with the exception of the modern awning (cad. 34 132): inscription by order of 26 March 1986

Key figures

Jean-Jacques Pack - Basel stone tailor Directed the reconstruction of the choir in 1712.
Hugues-Jean Monnot - Sculptor of the high altar Author of the Baroque altar (1717).
Joseph Callinet et François Berger - Organ factors Creators of classified organ (1843).
Charles Stauder - Swiss painter Author of the paintings of the altar Saint Sebastian.
Claude Bernhart - Strasbourg artist Web of Christ on the Cross (2006).

Origin and history

The Notre-Dame-du-Chêne chapel, located in Blotzheim (High Rhine, Great East), is built on an ancient Roman oak. Its bell tower, dating from 1494, marks its medieval origins. She is the only one in Alsace dedicated to Sancta Maria ad Robur (Vierge du Chêne). The monument has undergone several phases of construction and renovations, notably in the seventeenth century (nef of 1629), the eighteenth century (choir vaulted of 1712) and the twentieth century (restauration completed in 2006).

The chapel houses an exceptional heritage: a baroque altar of Hugues-Jean Monnot (1717) with a 15th century Virgin of Mercy, statues and paintings saved from the Capuchin convent (founded in 1737), and an organ of the Callinet brothers (1843), classified since 1992. The high altar and the Virgin of Mercy have been protected since 2002. The stained glass windows, signed Kuhn de Basle (1879), and the side altarpieces (including one dedicated to Saint Sebastian, painted by Charles Stauder) bear witness to his cultural and religious role.

His history was marked by legal conflicts: in 1685 the Blotzheim community instituted a trial against the decimators to finance the reconstruction of the choir and the bell tower, leading to a conviction in 1699 and 1711. The Basel stone tailor Jean-Jacques Pack led the chorus in 1712. Consecrated in 1740, the chapel became a Marian pilgrimage site, with a legend linking its altar to a sacred oak.

Modern restorations (1999–2006) have given shine to its interior elements, such as the lateral altars or the canvas of Claude Bernhart (inspired by Christ on the Cross before 1947). Ranked a historic monument in 1986, it illustrates Alsatian architectural and artistic evolution, from Gothic to Neo-Gothic, through Baroque.

His classified treasures also include statues (Saint Anthony, Saint Francis), an eighteenth-century pulpit to preach, and a 19th-century Mount of Olives. The chapel, a communal property, remains a symbol of the religious and historical heritage of the Upper Rhine.

External links