Date of altar table 1626 (≈ 1626)
Proof of the ancient existence of the chapel.
1718
Making sundials
Making sundials 1718 (≈ 1718)
Graved on the east and south walls.
1741
Graffiti dated
Graffiti dated 1741 (≈ 1741)
Historical traces on the walls.
1841
Interior painted decor
Interior painted decor 1841 (≈ 1841)
Probable date of interior frescoes.
21 mars 1995
Registration of sundials
Registration of sundials 21 mars 1995 (≈ 1995)
Protection for historical monuments.
13 janvier 1997
Registration of the chapel
Registration of the chapel 13 janvier 1997 (≈ 1997)
Complete classification of the monument.
Aujourd'hui
Aujourd'hui
Aujourd'hui Aujourd'hui (≈ 2025)
Position de référence.
Heritage classified
The two sundials dated 1718 located on the eastern and southern facades of the chapel (Box D 933): inscription by decree of 21 March 1995 - Chapel (Case D 933): entry by order of 13 January 1997
Key figures
Information non disponible - No character cited
The source text does not mention any names.
Origin and history
The chapel Saint-André-et-Sainte-Lucie du Grand-Parcher, located in Vallouise-Pelvoux in the Hautes-Alpes, is a religious building built mainly in the 17th and 18th centuries, with additions in the 19th century. Its coarsely squared grey limestone walls contrast with the tufted windows, while its interior is distinguished by two arched spans and a wooden stand. A bell tower with a bay dominates the anterior façade, covered with a padigeon like the interior. Two sundials, dated 1718 and engraved on the east and south walls, as well as graffiti of 1741, testify to its rich history.
The interior painted decoration, probably made in 1841, corresponds to the partial date "18[4.]" visible on the façade above the door. The altar painting, dated 1626, attests to the ancient presence of the chapel as early as the seventeenth century. The protected elements include sundials (registered in 1995) and the chapel itself (registered in 1997), now owned by the municipality. Its modest but characteristic architecture reflects local traditions of Alpine religious construction.
The ground and cut sandstones, protruding from the gable wall, add a rare decorative touch for this type of rural building. The chapel, although discreet, illustrates the evolution of artistic and religious practices in the Southern Alps, between architectural simplicity and progressive enrichments. Its present state, combining traces of the 17th, 18th and 19th centuries, makes it a valuable testimony of the Alpine heritage.
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